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The third part of Neil Campbell’s Manchester Trilogy, in which our struggling young writer finds love with a girl called Cho. Where a love song to Manchester becomes a love song to Cho.
Lanyards explores how the jobs we wear around our necks dictate the ways we are identified.
Building on the previous novel in the trilogy, Zero Hours, our protagonist finds himself on universal credit, taking agency jobs, moving from learning support work in schools and colleges to call centre jobs and back again, via a failed attempt at getting a job as a driver on the Metrolink tram network.
Lanyards portrays the comic and poignant moments of working life. All the time reflecting back on the football career the narrator might have had were he not injured, his life as a writer, his experiences of being in a mixed race couple with the Hong Kong born Cho, the Manchester Arena bombing, the continuing success of his beloved Manchester City, the child sex abuse scandals in football, the disparities of wealth in contemporary Britain, and the death of a childhood friend that continues to haunt him.
‘An iconoclast of the first order. Searing prose and caustic humour from a tramping Mancunian flâneur.’ —Peter Kalu
‘Neil Campbell’s Zero Hours is a poetic, emotionally-charged reflection of what it means to live and work in the city today. Its Mancunian voice is so distinct it’s not like reading a novel at all but like having a conversation with modernity itself. Zero Hours is sharp, funny and moving – a wonderful evocation of Manchester life.’ —Lee Rourke
‘A 21st century Mancunian take on Post Office by Charles Bukowski. If you liked Post Office then you'll almost certainly like this.’ —Scott Pack
‘Campbell’s narrator is a young working-class man from Manchester. Throughout the novel he works a number of zero hours jobs, first at a mail-sorting depot, later at a number of libraries. There is nearly always something to dishearten our man, be it his duties, colleagues, managers, or just the constant uncertainty that comes with this kind of employment. Besides work, the narrator has a number of unsuccessful attempts at relationships, and sees the face of his city change, losing its character to gentrification. There’s a stop-start feel to reading the novel itself: as with zero hours work, the present moment is all, and even the immediate future uncertain.’ —David Hebblethwaite, David’s Book World
‘Campbell is a realist writer, and Zero Hours is probably even more true to life and purposefully undramatic than its predecessor. And this is no bad thing, because he is a poet with a knack for describing ordinary episodes that strike an expectedly emotional chord. He is also deeply concerned with place and the indelible imprint left on a person by the sites that represent lodestones of their past.’ —Ronnie McCluskey, Storgy
‘Zero Hours is the second volume of Neil Campbell’s Manchester trilogy. Honestly, if ever a novel deserved literary accolades and bouquets it’s this one. Zero Hours possesses more energy, grind and determination than a decade of Bookers. If there was any justice it should be jumping off the bookshelves.’ —Joe Phelan, Bookmunch