Bookseller Information

ISBN
9781784631789
Extent
128pp
Format
Paperback
Publication Date
15-Apr-19
Publication Status
Forthcoming
Subject
Modern & contemporary fiction (post c 1945)
Trim Size
198 x 129mm

Flotsam

Synopsis

‘By turns beguiling and unsettling, Flotsam examines grief and loss through the eyes of an extraordinary child’ Rachel Seiffert

Trine and her mother live in a cottage on the German coast. The mudflats that surround them disappear and reappear with the North Sea tides. The family leads a lonely existence, but each person has adapted in their own way. Anna roams the beaches collecting flotsam and jetsam to make art, while Trine loves playing on a wartime shipwreck. That is, until she loses her brother.

In her taut style, Meike Ziervogel tells a coming-of-age story from 1950s Germany – a place still haunted by war. A place where people pretend not to notice the ghosts.

Praise for this Book

‘By turns beguiling and unsettling, Flotsam examines grief and loss through the eyes of an extraordinary child.’ —Rachel Seiffert

Reviews of this Book

‘Ziervogel grew up in Germany and this taut, mysterious novel not only conjures female subjectivities and grief, but it also paints a haunting portrait of the country in the 1950s Germany, with its greater sense of loss, and the looming spectre of crimes committed during the war.’ —Arifa Akbar, The Guardian

‘The writing has a dark and haunting quality yet there is much beauty in its concise construction. The story ebbs and flows with the ghosts of the past and the effects of the isolated location. Both Trine and Anna show a resolve that can be unsettling, beguiling – perhaps because young women are not expected to behave as they do. An astute and arresting tale…’ —Jackie Law, neverimitate

Praise for Previous Work

‘Haunting originality and real flair.’ —Christena Appleyard, The Daily Mail

‘Ziervogel goes bravely to the bleakest points of humanity and illuminates them with her lyrical and enthralling prose.’ —Claire Kohda Hazelton, The Guardian

‘Ziervogel shines a humanising light into the dark spots of her country’s history.’ —Lucy Ash, Observer