Publication Date
Publication Status
Modern & contemporary fiction (post c 1945)
Trim Size
198 x 129mm



Alice Thompson’s gripping, deep space novel sees scientist and dream investigator Artemis travelling to the distant moon of Oneiros. Her ship, the Chimera has been sent to look for organisms that will help assuage Earth’s global warming, but it becomes clear on the journey that there are other disturbing reasons for the mission.

Accompanied by dryads, sophisticated AIs with synthetic bodies, nothing is quite as it seems, even desire. This is a story of transfiguration, dreams and identity. Are we just a template of memories and experiences, or is there something that makes us uniquely human?

Reviews of this Book

Chimera is a restatement of that old science fiction question “What is it that makes us human?”, but Thompson takes a very distinctive approach, the notion of “dreams as poetic metaphors of thought” allowing for explorations of the nature of consciousness and where it resides, the fear of losing one’s identity, the omnipresence of AI, the frightening implications of virtual reality and the suggestion of forces powerful enough to override both machine programming and human nature – all overlapping and interacting with each other in interesting and inventive ways.’ —Alastair Mabbott, The Herald

‘Set in a not-so-distant future, Alice Thompson’s eighth work of fiction, Chimera, is just that: a chimera of a novel. It also happens to be the name of the spaceship sent on a follow-up expedition to the Moon Oneiros. The mission is to look for micro-organisms that might alleviate the critical levels of carbon dioxide on Earth. But soon enough, we sense there is also a darker purpose.’ —Afric McGlinchey, Bookmunch

‘The book opens with a prologue in which a couple have been reunited following the woman’s return from Oneiros, a distant moon. Whatever happened during her mission has left her with impaired memory, and lacking the resentments felt before she left. She starts to write a novel, and it is this that makes up the bulk of the tale.’ —Jackie Law, neverimitate

Praise for Previous Work

‘Angela Carter crossed with the Scottish diffidence of Muriel Spark.’ —Ali Smith

‘Fractured and lucid as a dream. Creepy and brilliant.’ —Ian Rankin

‘A gothic music video of a novel that whirls with weirdness... madly energetic ... genuinely scary.’ —Stephen King

Burnt Island is steeped in self-awareness, as a book about the process and effect of writing might be. It seems connected by literary electricity to other tales of isolation: The Shining, Pincher Martin, The Sea, The Sea.’ —John Self, The Guardian

The Book Collector shows a wry and sly mind at work throughout. Scottish literature would be thinner without this kind of challenging and cleverly-wrought writing.’ —Stuart Kelly, The Scotsman

‘Alice Thompson, one-time keyboard player for Eighties band The Woodentops, is now an established novelist, who has won praise from Ian Rankin and Stephen King. The horror master would no doubt approve of this slim Edwardian-era gothic, too, recalling as it does both Rebecca and The Silence Of The Lambs.’ —Stephanie Cross, The Daily Mail

‘With its gothic motifs, this dark portrait of a ‘fairytale’ marriage is full of mystery and suspense … an elegant and bloodily shocking entertainment.’ —Suzi Feay, The Guardian