The poems of Daze form a prospect on time—the passing of literal days, the ephemerality of the body, frangible memory, American speed, the crisis of late modernity. Daze charts out the periods of our belief, blending personally-lived experiences with wildly assimilative narratives which make up our blurred identities. Written as a series of series, Daze works out the demands of the diurnal by interlocking poems both discretely within sections and across sections. Challenging the moral entropy of the 21st century, Daze is as much a view of bewilderment and outrage as it is the beautiful or true expression of poetry.

In Dear Alice – Narratives of Madness, Tom Pow explores the dangerous territory of the imagination. Using the archive of a famous nineteenth century lunatic asylum, he creates powerful story-poems that question and explore divisions between sanity and madness, power and powerlessness.

Pam Brown’s poems are insomniacs in the sense that Rimbaud might have given the term: they are totally awake at all times. Zero slack, zero fuzz. Just total, delirious, desirous, and indelible attention to the real situations we find ourselves, implausibly but inextricably, thrown into.

William Logan’s poetry has been called elegant, difficult, cranky, formidable, dazzling, intoxicating, and ominous. For almost forty years, he has published poems that do not fit comfortably with the work of most of his contemporaries, and perhaps do not want to fit at all. Deception Island, a selection from his first five books, is an introduction to the work of a poet who has taken a resistant pleasure in the Byzantine contrivance of Venice, in the empty vision of the American west, and in the romantic longing of British landscape.

A series of short texts or poems that revel in structured and unstructured language, with all the gaps and excitement that happens when language is stressed to the limit.

In this selection of shorter lyric poems, celebrated Language poet Bruce Andrews offers his charismatic blend of satire, wit and jouissance, creating a dizzying picture of modern America. In these poems Andrews explores a more intimate and domestic register, further reminding us of the astonishing range of this contemporary master.

This new selection of John Kinsella’s innovative poetry gathers work from over fifteen years. Including seminal works like Syzygy and Erratum/Frame(d) as well as more fugitive publications like The Radnoti Poems and The Benefaction, this is a key title for anyone wanting to understand the breadth of Kinsella’s poetic vision.

Aaron McCollough’s Double Venus meditates on social politics, personal politics, and the exchange between them. It concerns itself with the many manifestations of desire circulating within cultures of plenty. In doing so, Double Venus also adds to a tradition committed to socio-ethical practice based, in the final instance, on love.