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A View of Buildings and Water,

Geoffrey O’Brien

A View of Buildings and Water, Geoffrey O’Brien
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BOOKSELLER INFORMATION


Publication Date: 15-Nov-02 | ISBN: 1876857552 | Trim Size: 216 x 140 mm | Extent: 108pp | Format: Paperback

UK Distribution: Bertrams Books Gardners Books  | USA Distribution: Ingram  | Publishing Status: Active Shop online at HiveFind your local bookshop

 

SYNOPSIS


Synopsis

In A View of Buildings and Water Geoffrey O’Brien collects poetry from the last half-decade, among them poems that first appeared in such magazines as Talisman, The Germ, The Literary Review, and New American Writing, and including a number of long sequences that have not appeared anywhere in their complete form. These poems extend a concern with mapping the geographies of dream, fantasy, and intuited history, and with finding a music that might realize those spaces in a flexible, responsive measure. In form the poems range from a monologue from an unmade film noir to a sonic sculpture where sense is made to follow where sounds lead. In “Heads in Limbo” a varied cast of characters is epitomized in a series of epitaph-like three-line poems. Central to the book is a cycle of five poems exploring the stages of grief against a shifting background of terrains both real and phantasmagoric. The book’s narratives—slippery, splintered, referring back to lost earlier chronicles—take their form from the mythmaking of ordinary life, the stories partly found and partly invented out of which we try to forge a connection to what has vanished and what has not yet arrived.

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TABLE OF CONTENTS


Part I; For a Diva; Voice Over; Virgilian Herb; Peninsula; Heads in Limbo; The Prophet; Part II; The Lake; The Hill; Late Geometric Grave-Offering; The Marsh; The Deluge; Part III; Songs Done in Praise of Winter; Sonic Ode; Sonic Coda; Tree of Names; Providence; The Ring; The End of the Year; Part IV; Fires Were Started; A History

PRAISE FOR THIS BOOK


“Geoffrey O’Brien’s poetry names and unnames connections, illuminates correspondences that darken again and almost dissolve in the darkness like mica flakes in basalt. The images and threads of narrative wink at the reader, but the beauty of the language holds irony at bay.” —Forrest Gander

 

“The precision and ordered intelligence of Geoffrey O’Brien’s essays are turned inside out in the dream landscapes of his poetry. The result is a kind of spectral tapestry where words and images are stripped to their own inherent valence and deeper codings the bedtter to hunt down resemblances and resolutions. The effects are mysterious, hypnotic, often breathtaking, and, I think, unique in American poetry.” —August Kleinzahler

 

“Geoffrey O’Brien is a poet of tremendous gifts and astounding, all-embracing erudition.” —John Ashbery

 

BIOGRAPHICAL NOTE


Geoffrey O’BrienGeoffrey O’Brien was born in New York City. His poetry has been collected previously in A Book of Maps, The Hudson Mystery, and Floating City: Selected Poems 1978-1995. He is also the author of a number of prose works including Hardboiled America, Dream Time: Chapters from the Sixties, The Phantom Empire, The Browser’s Ecstasy, and Castaways of the Image Planet. He is editor-in-chief of The Library of America.


 
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Red Sky Café, Geoffrey O’Brien

Red Sky Café,

Geoffrey O’Brien

- £8.99
Red Sky Café contains postcards and poem-cards, a fistful of sonnets, a cento and a lipogram, a Greek myth retold by its regretful hero, a dance number from a lost Betty Grable musical. It mixes songs, narrative episodes, previews of coming attractions, and television programs glimpsed through the window of a neighbor’s apartment.
Early Autumn, Geoffrey O’Brien

Early Autumn,

Geoffrey O’Brien

- £9.99
Two long poems on aspects of loss frame O’Brien’s collection. “Elegy for My Brother” starkly describes the physical process of dying and evokes the afterlife of memory, dream, and art. The final poem is a single long sentence in which glancing at a painting of ruins triggers confrontation with catastrophe.
 
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Price: £9.99 (£9.99 Inc. VAT)

 
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