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Fiona Sampson: Paddock Calls

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Fiona Sampson

Fiona Sampson has published six books and her work has been translated into Romanian, Serbian, Hebrew, Macedonian, Bulgarian, Finnish, Slovakian and Catalan. Her poetry collections include Picasso's Men (Phoenix Press, 1994), Folding the Real (Seren 2001), Hotel Casino: chapbook (Ark Publications, 2004) and The Distance Between Us: a verse-novel (Seren, 2005). After a brief solo career as a violinist, Sampson pioneered writing in health care in the UK, and now researches and consults internationally in this field. She has a PhD in the philosophy of writing process (University of Nijmegen, 2001) and is AHRB Research Fellow in the Creative and Performing Arts at Oxford Brookes University and Visiting Research Fellow at the University of Sussex. She is currently the editor of Poetry Review.

Paddock Calls

Slow deletion here. The local Trust —
finishing-school for county brides,
horse-lovers, bandy-legged roarers —
has taken back the paddock beyond the willow:

its hulk of shed a rusty lummock
in a pale pond of grass — And bees,
wasps and slow-circuiting fruit-flies
are stipple on the stipple of far hawthorn,

pheasants crick and strut
their old-tin feathers, grass shivers with mice
and cousins of mice. Folding down,
all of it:

folding and sinking out of pasturage
into the half-life of scrub; set-aside.
That cultivation history: bones
of the old ways, old disciplines,

lying like the fox-bones under hedge
or grass.  Where change seems impossible
to townie pastoralists — change happens;
tightens the land’s skin. Encroachments happen,

shrinkage. The rural display,
temporal as seasons in this arable,
is a waxing wane.  Its mooney green
slowly deletes shed, hedge, wire: the neighbour

who worked this paddock till six years ago.
He stares into it, over my shoulder.

 

 

 


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