Jill Jones
Jill Jones is a Sydney poet. She won the Mary Gilmore
Award in 1993 for her first book, The
Mask and the Jagged Star. The
Book of Possibilities, her third book,
was shortlisted for the National Book Council, The
Age Book of the Year and Adelaide Festival Awards.
Her fourth book, Screens Jets
Heaven: New & Selected
Poems, won the Kenneth Slessor Poetry Prize in 2003.
My Ruined Lyrics
“You forget whole years, and not necessarily
the least important ones.”
—Javier Marías, The Dark Back
of Time
1. Hold On
The song isn’t as loud
as you think it should be
It accompanies the road
nevertheless
You hear it in the rain
Hang on, even a cicada has got
its dream rhythm
That walks with you
through the door
After you’ve crossed the river
look back, it’s passed you
The notes trail
Its attributes are lies and truth
the clash of pasts
2. I’m Coming
I can’t give you any more
although the weir overflows
And here in my pockets
another flow
Of cellophane, an old musket
a slide rule, seed catalogues, powers
The river rises
in the hundred year flood
There’s something planetary
in the moan of levees
I lay my hands on
evidence changing gears
My logbook is full of
sneaky miles
The lie is of the tongue
And I would kiss you with it
when I come
3. Fields of Wheat
The hour is a vast frontier
moving into day.
In it I spent a year
and then a decade
moving you all around.
It was all down to
bad timing at a desk
the design of borders
a lack of motivation and petrol
and now the Russians have come
with gold lame g-strings
and a kind of bulky
comedy
that beats queuing.
I know these are dreams of salvage
and dawn is the rescue hour
when music drops on me
climbing stairs into duties.
But the orders are confused
and nothing seems to grow.
I ask the Russians
for their impregnable vodka
and a giant sleigh
but it’s become too warm
and foghorns tumble.
It is each according to need
and the sun strikes up the band.
4. Bird on the Run
Somewhere the war
is outside my window
showing on a graph
heart-shaped
and inevitable.
But I don’t roar in pain
yet.
I am waiting for the birds
then I’ll know.
They are not a chorus.
They do not know
how to come home.
They no longer bear
the message.
Which is why
I jump the sill
I jump the rocket launcher.
I jump the map
and it bears me.
Hear my wings!
5. Flesh and Spark
And when I came
to you
it was raining
We had to be covered
in something other
than ink-black night
The guitars had all drifted
in their boats
animals were nervous
If we don’t get access
there’s still
recall, its open moment
Along the curled map
of seeds
and their prices
Among the shot
the falling lead
and winged cartography
There, let us have
our doubts
we grave them secret skins
Though covered
they tell flesh
and spark
6. Unusual
The air fills with
petrichor
after rain on sandstone.
It’s unusual, and we must
speak it
this drought, this daring.
It will be fire.
It will be cord and rope.
We’ll sing it long.
The war wasn’t a lie.
The bombs dropped … so.
And near where you told me.
Trace it on the sheet
and this once
dream it on the beach.
Then outside awakened
again we walk in the depth
of field.