Salt headlines
Ride the Word — new reading series hosted
by Ernie Burns and Vincent De Souza at Borders Oxford
St, London, Facebook
details …
Launch of Nicholas Royle’s new edited anthology
of short stories’68:
New Stories from Children of the Revolution — at
the Horse Hospital, Bloomsbury, London, Facebook
details …
Salt to expand its stable of free online literary magazines check
the news blog …
UK internships on offer at Salt’s new Fulbourn offices
from June 2008 full
story …
Series editor positions under consideration for new
Scottish and Welsh writing full
story …
Free online magazines and blogs are key to dramatic
growth in Web presence full
story …
Nicholas Clee reviews Padrika Tarrant’s Broken
Things in The
Guardian full
story …
Laura Benedict reviews Padrika Tarrant’s Broken
Things in Notes from the Handbasket …
Salt author E.A. Markham has died, read the obituary
in The
Independent.
David Kennedy wins third prize in the National Poetry
Competititon full
story …
Andrew Crozier has died, read the obituary in The
Independent
Michael Brennan
Michael Brennan was born in Sydney, Australia in 1973
and lives in Tokyo, Japan. His first collection, The
Imageless World (Salt, 2003) was short-listed
for the Victorian Premier’s Award for Poetry
and won the Mary Gilmore Award. In 2006, he undertook
residencies in Berlin and Paris thanks to the Marten
Bequest Travelling Scholarships, the Australian Council
for the Arts and the Cité Internationale des
Arts, Paris. Brennan published a chapbook titled Language
Habits in 2006. In 2007, his second collection Unanimous
Night is forthcoming from Salt, as well as (Sky
Was Sky) a chapbook collaboration with Japanese
artist Akiko Muto, translated by Yasuhiro Yotsumoto,
and a limited edition artbook collaboration with Sydney
artist Kay Orchison titled Atopia. Brennan
holds a PhD in English Literature and has taught literary,
language and cultural studies at universities in Australia
and Japan. He is the Australian editor of www.poetryinternational.org and
director of Vagabond Press.
Revelation
The world was already the world
and we were looking for ourselves.
Like something mispronounced
we kept repeating our names,
each syllable a slice of concrete
we tied to our feet for security.
In those days, there were stories,
an uncle ascending into cirrus,
an aunt who never surfaced again,
we dreamt of the long narrow road,
the precision of a snowflake falling,
the wrong turn that always got us there.
In the end we went out beyond the scrub,
to the free-to-air stations, thinking about
sophisticated things, branch stacking
and pork-barreling, the light in her smile
or the time in the middle of an interview
she reached out and touched his hand.
Salvation
I had drifted out far beyond
ill-reputed water metaphors
tipped off by a cunning editor.
Careful not to turn oceans to sand,
I considered cityscapes
as the inside of a river oyster.
I gave up amphetamines and yoga,
hunting around for an autobiography
I could live with. I ate hearty steaks
and wandered aimlessly willingly
until blind chance knocked at my door
yelling, ‘The Gold Coast saved me.’
I saw everywhere I’d gone wrong
running about in her sun-filled hazel eyes.
The waves were glass escalators rising
shy with the hum of contentment.
I counted the change in my pockets
as the horizons clouded over with promise.
I had just enough for the last cocktail.
The Saved
We were always mucking about
with the unmentionables,
trudging through the snow.
Winter closing around the heat
concocted by what our desires shared.
It wasn’t highbrow anymore
as we learnt to grind and crank
bodies, our saving grace, the fires
of hell these days reserved
for the faint of heart and feckless.
Grace
When we get back from here,
tell me how it was,
the stretches of land we crossed,
the friends we made.
Wake me up with a smile
that erases all the wrongs,
that speaks nothing of forgiveness,
that sings a few broken tunes,
half-remembered and off key.
Wait for me on the other side,
where we can dance a last rhumba
and tell each other secrets
we always knew.