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Horizon Review

Fiona Sampson: Autumn in Clun



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Fiona Sampson

Fiona Sampson

Fiona Sampson has published fourteen books, of which the most recent are: Common Prayer (Carcanet, 2007, shortlisted for the 2007 T.S.Eliot Prize), On Listening (essays: 2007) and Writing: Self and Reflexivity (Macmillan, 2005). Her awards include the Newdigate Prize and the 2006 Forward Prize (shorlist); writers’ awards form the Arts Councils of England and Wales and the Society of Authors, and, in the US, the Literary Review’s annual Charles Angoff Award. She has been widely translated, with nine books in translation, including Travel Diary, awarded the Zlaten Prsten (Macedonia). After a first life as a violinist, she was educated at the Universities of Oxford and Nijmegen. She has a PhD in the philosophy of language and has held research fellowships at the universities of Oxford Brookes (2002–5) and Warwick (2007–8). She contributes regularly to The Guardian, The Irish Times and other publications; and is the editor-in-chief of Poetry Review.

Author photo © Kitty Sullivan

Autumn in Clun

          You came: we saw: we heard:

                    — On a bench at Clun

A breeze disturbs leaves
which articulate what moves on
                                           and away

to be a premonition of change,
or remembered emotion,

so long ago
that you mistrust the memory.

And again —
its cool draft

on your skin like a ghost,
stirring the leaves with breath

which passes across your lips
in a sigh.

             So you wonder —
was this what they saw?

Out picking horse mushrooms
in a dewy lollop of grass,

or walking the dog
below the brim of woods:

did they see gold
move between elder leaves,

assume the form of a man
who walked along with them a way —

talking about the weather
in the decent way of country neighbours,

or seeming to listen
as if to echoes
                    in a wide vale of meaning —

then vanished?

The miraculous stone
waits at the curb,

a dressed ingot.
Here are the blue votive flowers,

the bench with its unremarkable view
of town and fields,

the everyday movement of light
across fields rising in parallels from the river —

gold, pink, grey —
Surely they're grave-cloths?



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