Susan Richardson
Susan Richardson is a poet, performer and educator
based in Wales. Her first collection of poetry, Creatures
of the Intertidal Zone (Cinnamon Press) was inspired
by her journey through Iceland, Greenland and Newfoundland
in the footsteps of an intrepid eleventh century female
Viking and one of the themes is the impact of climate
change on the Arctic and Sub-Arctic. She is currently
collaborating with a visual artist, with a joint collection
of poetry and prints, Up There
Where the Air Is Rarefied,
forthcoming in 2011.
Susan is an accomplished performer of her own poetry
and regularly appears at literary festivals and environmental
events up and down the country. She is also one of
the resident poets on BBC Radio 4’s ‘Saturday Live’.
For further information, please visit http://www.susanrichardsonwriter.co.uk and http://susanrichardsonwriter.blogspot.com
Nerrivik
Do not mistake me for a mermaid.
Do not presume I’ll swim to the surface,
perch on a berg and croon.
Do not tell your kids coddled in caribou fur
a fairytale of my creation.
Hold the kayak of truth to their ears:
let them hear
the
slice
of the knife when my father chopped
off my fingers,
my arctic howl as I sank
to
the ocean floor,
the bloodsong of my thumbs as they bulged
with
blubber —
before my icestruck eyes, belugas formed.
My index fingers were instant narwhals —
tusks
burst
from nails. Ringed seals zinged
from my middle fingers, while
the littlest wriggled
far
from mammaldom, riddled
with gills and scales.
Do not, however, harpoon me with pity.
If my whalejaw comb cracks,
if the stumps of my wrists can’t clear
the knots from the thick black fronds of my hair,
I can summon a shaman to tackle the tangles,
with the weave and tickle of mackerel and cod.
All I demand is that you treat this zone,
which I was forced
to make my home, with care.
Do not thaw my ceiling.
Do not stain my walls with your crimson greed.
Don’t rip up my floor with your trawlers.
Don’t furnish me with debris from your submarines.
Remember — one shrug
of my shoulders can cause
a four-day storm. I can calve bergs
from
glaciers
with the smallest sneeze. If I am displeased,
I will call the offspring of my fingers to me
and make fists to breach your
overwater world,
to
punch
your beloved
sun from
its sky.
Blodeuwedd in a Parka
i am winterstill
a mountain aven
i am a flirt of white
in the cave of the raven
the quiverwait
for the birthburst
of the sun
i am a tease
of roots nudging
the rocks trying
to budge
the permafrost
i’m a flutter
of eight lashes
round a yellow eye
that winks
at the sky as i seize
my one
brief chance
to bloom
and now i am taken
by the shaman,
mixed
with milkvetch,
birch, moss campion
to make petalflesh
limbstamen
womb.
I am the wife of Ilukaq.
I stew berries and blubber for him to eat.
I chew sealskin to make soft boots for his feet.
With snow goose feathers, I sweep clean our home.
I carve him totems from the ice-bear’s thigh-bone.
But oh
I am another man’s lover,
a man whose touch uncovers
my desire
like a caribou licking
up lichen from under the snow.
So what am I to do but harpoon Ilukaq,
leaving him frozen in the only pose he knows —
kissing the lip of the seal’s breathing hole and
now
i
am snatched
by
the shaman
face smashedflat
against
ice
shoulderblades
scolded
into
wings
toes
crooked
into
claws
voice
scraped
hoarse
i hunt rodent dreams,
plunder
the tundra,
feed them to children,
stoke their troubled sleep
i am the famine-owl,
a hunger-howl —
the weeping of the people
is steepled on my wings
i’m the mood-most-foul
of those who fail to claim
the Pole — i’m so mad
i could wring my own neck
i am the sadness
of the melt —
my featherflecks reflect the eruptions
of rock through ice
when i shut
my sundog eyes
i’m shocked to realise
that i’m still here
Where No Man has Gone
Cape Bountiful! he cries, aiming to lay claim
to the pristine land lying behind
the swell of her crinoline dress
and Conquest Cove! when he spies
the cleft in the ice shelf of her chest.
He doesn’t guess that she moves
the fake mole which marks the Pole
to a new space on her face each day.
He never sees that she conceals
snow geese up her sleeves,
while caribou hoof up lichen
beneath her hooped petticoats,
and polar bears den in the drifts
of her wig — the cubs he seeks to snatch
as gifts for his king will be safe,
at least, until spring.
Hungry for the tundra of her tongue, he shoves
against her; lunges
for the place where the hooded seal breathes,
harpoon primed. He believes
he can set up base, overwinter,
but two hundred years will go by
before he’ll shun
his flimsy breeches and learn
the techniques to survive.
With just one tweak
of her walrus-thumb, she seizes
his vitamins, unleashes
blizzards of liver spots
and spongy gums. She kills
the light with one blink
of her eye and the wind chill effect
from her satisfied sigh
makes his voice shatter —
C a p e Des
o l
a t i o n …
Climate Control
North had the force of a man —
a man who never ate citrus,
who lived on ships’ biscuits
and pemmican.
He’d pick his teeth with a narwhal tusk,
wear eau de moss, muskeg, musk ox and bog.
His sneezes were geysirs;
he’d mop snot with his pocket ptarmigan.
Then, he fell in love. With her,
he learnt that sweat need not freeze,
he grew to believe in the existence of trees.
But she liked her fishscales blue and green,
and sun dripping sticky
between her breasts.
Why waste time on gloves
and decks slippery
with death?
The day she skipped away,
he felt his cod stocks deplete.
His dreams were flensed,
then rendered into grease
for soap and cheap cosmetics.
Now all he can do is gaze
at the gauze dress she left
pegged to the sky
and howl
the colours closer.