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Nuar Alsadir
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Nuar Alsadir

More Shadow Than Bird

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Biographical note:  Nuar Alsadir’s poems and essays have appeared in numerous periodicals, including Grand Street, The Kenyon Review, Ploughshares, Slate, AGNI, Tin House, Lit, Gulf Coast, Ribot, The New York Times Magazine, and Book Forum. When not writing, she teaches at New York University and is training to become a psychoanalyst.

 

BIC Basic

EAN13:  9781844718870
ISBN:  9781844718870
Author:  Nuar Alsadir
Title:  More Shadow Than Bird
Series:  Salt Modern Poets
Product class:  BC
Language:  eng
Audience:  General/trade
BIC subject category:  DCF
Publisher:  Salt Publishing
Pub date:  15-Jan-12
Extent:  76pp
Height:  216 mm
Width:  140 mm
Thickness:  5 mm
Weight:  114 gms
Supplier:   Gardners Books
Supplier:   Ingram Book Group
Supplier:   Inbooks (James Bennett)
Availability:  NP
Price:  GBP 9.99
Price:  USD 15.95
Rights:  World

 

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Short description/annotation:  The poems in More Shadow Than Bird are imagistic narratives of emotional situations that offer not the story of a life, but of the consciousness accompanying the life lived. This consciousness, even as it operates on a more symbolic level, is embodied—not abstract or removed— conveying a sense of rawness and honesty that is rare in non-representational work.

 

Main description:  The poems in More Shadow Than Bird are imagistic narratives of emotional situations that offer not the story of a life, but of the consciousness accompanying the life lived. The quirky perspective and musical surface of these poems makes them engaging— deceptively catchy, even— as a mysterious darkness tows from beneath to draw the reader deeper in. This consciousness, even as it operates on a more philosophical level, is embodied—not abstract or removed— conveying a sense of rawness and honesty that is rare in non-representational work.

 

Table of contents:
Contents
More Shadow than Bird
Still Life with a Bedroom on an Airshaft
Unknown Knowns
The Exile’s Letter
Deposit
Bats
The Garden
Imago
Insufficient Moon
Augury
The Riddle of the Shrink
Hemophobia
Agyrophobia
Cremnophobia
Hypegiaphobia
Gametophobia
Caesura’s Palace
Two Years
The Renovated Room
The Closet
Absinthe
Man on an Island
[
The Messy Apartment
Aperture
The Streetlight
The Window’s Oven
Insomnia
[
Morning
[
Breakfast
What Is Denied
The Ride Home from Mourning
Disquiet
[
Aurelia in August
Jane E.
Io
Congedo
[
Guest
Trees at Night
Walking with Suzan
Sing Fat
Chiaroscuro
Notes

 

View excerpt as PDF:

PDF Click here to view a sample (487 KB)

 

Excerpt from book:  

The Garden

There is no garden, there never was.
The man who cuts the grass is stealing,

making promises with his Miracle-Gro
and reeling in the fish. I want to believe

in something: each morning I look out
at the patches, squint until they turn green.

Are you with me, wherewithal?
I am everywhere without.

A garden is a mood: this one less
of disciple’s brood than drought.

 

Unpublished endorsement:  These are distinctive, tight, sonic little mysteries. Dickinson abides here. I really love the writing itself, the returning internal rhymes, the careful rhythms, and the loveliness of the phrasings.

David Baker
The Kenyon Review

 

Unpublished endorsement:  Nuar Alsadir’s More Shadow Than Bird abandons the self in order to create a haunting dialogue with the self. These poems converse from the inside out; they come alive in the back and forth of a mind attempting to understand what it means to be in relation to. The couplet is employed here to full effect as relationships, both to others and the world, are interrogated. If ever there was a fantasy of transcendence these poems begin after that in the exacting and ruthless moments of mourning and loss even as the “I” and the “you” continue to orbit each other. Alsadir’s debut collection is lawless and provocative and heartbreaking.

Claudia Rankine

 

Unpublished endorsement:  It is the tone of these poems that propels them forward, at once deeply intelligent and vulnerable. The sounds, the surfaces, are muscular and precise (like Plath), and yet subterranean fears leak onto every page. Alsadir’s alchemic interplay of sound and the subterranean creates a thrilling tension. As an American poet of Iraqi parents, she writes from a place of being not only outside the dominant culture, but threatened with annihilation. Fear comes to life in these pages, sits beside us, seemingly contained, seemingly at peace, lulling us, but always close.

Nick Flynn

 

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