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Biographical note: Alan Sondheim was born in Wilkes-Barre, Pennsylvania; he lives with his partner, Azure Carter, in Brooklyn NY. He holds a B.A. and M.A. from Brown University in English. A new-media artist, writer, and theorist, he has exhibited, performed and lectured widely.
Sondheim's writings include the anthology Being on Line: Net Subjectivity (Lusitania, 1996), Disorders of the Real (Station Hill, 1988), .echo (alt-X digital arts, 2001), Vel (Blazevox 2004-5), Sophia (Writers Forum, 2004), Orders of the Real (Writers Forum, 2005), The Accidental Artist (Fort/Da), Azure/Nature/Digital (Blue Lion, 2009), and The Wayward (Salt, 2004) as well as numerous chapbooks, ebooks, and articles.
BIC Basic
EAN13: 9781844718030 ISBN: 9781844718030 Author: Alan Sondheim Title: Deep Language Series: Salt Modern Poets Product class: BC Language: eng Audience: General/trade BIC subject category: CTCH1 Publisher: Salt Publishing Pub date: 30-Jul-10 Extent: 260pp Height: 246 mm Width: 189 mm Thickness: 15 mm Weight: 390 gms Supplier: Gardners Books Supplier: Ingram Book Group Supplier: Inbooks (James Bennett) Availability: NP Price: GBP 12.99 Price: USD 16.95 Rights: World
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Short
description/annotation: A series of short texts or poems that revel in structured and unstructured language, with all the gaps and excitement that happens when language is stressed to the limit.
Main description: In Sondheim’s Deep Language, writing detours through digital and other media, returning with new forms and genres, new ways of thinking philosophy, the body, religion, and everything else. This is a series of poems that revel in structured and unstructured language, with all the gaps and excitement that happens when language is stressed to the limit.
These pieces cohere, interrelate, interpenetrate; they develop the concept of deep language in any number of fascinating ways, ranging from intuitive writing to the use of scripts, code, and programming to elucidate hidden meanings – where none may have existed before.
Table of contents: The Churn: supine body in supine body inversion Philosophy about Music experiments with sullen truths cinema of weather and virtual objects what i meant to say was suicide for Nikuko zero / infinity and infinity / zero violation fabric into futurism i will make my stand particle states Philosophy Text: The New Language Philosophical Text: Ying-Yang Philosophy Text: Being of the 1000 character essay Philosophy Text: Philosophy of Poetry Philosophy Text: The Final Text of Philosophy Epitaphter Susan gasping lunged Johnny stripping Ch’ien Tzu Wen 2/3 translation < filter > Ch’ien Tzu Wen the true nikuko Nikuko flesh meat the false nikuko Nikuko hard story thing theory corework ok Julu on Colonialism what am i supposed to do with this did i make this “fertile musings” fundamental questions After Auschwitz 128 character essay eight character essay forty-four character essay the chant of the dark wood out there Tricks To Cheating House Wives 0 wear name of trip Emerald Bluing echo echo Skin-Changing I Will Mess With Your Dead configuration history, the covenant of the remant heir conquers me above your great-wind! - from jennifer – others history essay on codework monstrous repetition code splishy code (codework and conflation) the last 2004 and We keep The Moon is Wanin butterfly fugue wvxlmhgifxgrmt zylny znvirxz the warm infinite cancer small breathing / closing down Opal’s God bunnies despair epic and machinic oo distillation on distillation world violation fabric codex. Capture already dead what if you could escape the world “how am i doing” Photo Poem for Murat Nemetphoto-Nejat The Completion of an Unfinished Quatrain by John Clare motion emotion Little Palm Poem opening jennifer alan clara and their meaning antipassion Not to Mention no thanks romeo some sort of phenomenology Because I say so I am Dangerous Monthly the uselessness of poems Proof of J-D and of as if derail in mourning Flying Blind Hollowed ruling General Principle of Narrative (Violence) Under Capital shtut future anterior homeland vortex Sonnetta In seinen Arme das Kind war tot. The long tunnel The Wonder Credo or The Writing in Quantity struct Writing of the Third luge Control Sites Codework Self-Negated “the lyric poem the lesser vehicle The Greater Vehicle the Index The decomposition John Donne, The Computation Oh look! It’s a new animal! after my death, i have been thinking about this writing genesis genesis redux genesis genesis redux explained darling, she said softly, look at the twinklers …because the generating image was cold and charming… In response to the singing of death, repertoire, life-in-death, digital old text illustrated by its future anterior without order View excerpt as PDF:
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Excerpt from book:
bunnies
the bunnies made strange calls, odd calls, gruntings, not the thumpings but the gruntings - ‘“I say” ‘there is a chair’“ – Wittgenstein in translation – right over the other lupus’ ears, just like that! —->:anyway the rabbits did this five or six times in a row and it seemed fairlyclear they were playing and right in front of us in the middle of the night. Honestly, you should have seen them! I never saw such a thing! I never knew rabbits could do such a thing! “Do not try to analyse your own inner experience.” - Wittgenstein in translation -:i pucker my lips constantly in the absence of the shakuhachi. i know its murmuring burbling abbling brook. now i’m at a loss, having transformed bAbbling into something else entirely – in any case, when i die, these three instruments will huddle in a maddening corner, bubbling with mournful murmuring cries – “Not it’s looking like him.” - Wittgenstein in translation – ]]] here is a space. the one rabbit runs straight at the other and the other rabbit jumps vertically at the very last moment over the first rabbit and landf in the same spot.that’s ‘lands’. <——::
Write through my the bunnies made strange calls, odd calls, gruntings, not the thumpings but the gruntings – ‘“I say” ‘there is a chair’“ - Wittgenstein in translation – right over the other lupus’ ears, just like that! —->!
Unpublished endorsement: Alan Sondheim writes. In fear of death — literal fear, real fear, symbolic fear — he uses anything and everything at his disposal to make and unmake himself and all of us as statements, words, part-words, characters. Alan Sondheim is one of the precious few who joyfully — and in abject misery — risks these terrors of writing for us, for our pleasure and our undoing. What happens? Language disposes of us.
As if that were not all that is required of any writer, Alan Sondheim is also the poet, the artist, the maker who has most profoundly immersed himself and his work in the life-changing code-forms — of networked computation — that have the world and its ‘genesis redux’ in their grip. John Cayley Unpublished endorsement: Pioneer of experimental sensibility in multiple performance media Alan Sondheim tangles us up in these hypnotically repetitive, abject, slyly humorous and childishly gleeful, philosophically, aesthetically, theoretically and psychologically dense and insightful poems that are also essays, diasporic riffs and incantations, true confessions, Platonic dialogues, shtick, tantrums, aphorisms and manifesti. And that’s just the first 5 pieces! Maria Damon |
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