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Biographical note: Adrian Slatcher was born in Walsall in 1967 and grew up in Norton Canes, Staffordshire. He studied English in Lancaster and Creative Writing in Manchester where he currently lives. He works as a project manager primarily helping the arts to understand technology. He writes poetry, fiction and non-fiction and regularly blogs about literary matters at artoffiction.blogspot.com
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EAN13: 9781844717996 ISBN: 9781844717996 Author: Adrian Slatcher Title: Playing Solitaire for Money Series: Salt Modern Voices Product class: BC Language: eng Audience: General/trade BIC subject category: CTCH1 Publisher: Salt Publishing Pub date: 15-Aug-10 Extent: 48pp Height: 198 mm Width: 129 mm Thickness: 3 mm Weight: 72 gms Supplier: Gardners Books Supplier: Ingram Book Group Supplier: Inbooks (James Bennett) Availability: NP Price: GBP 6.5 Price: USD 9.95 Rights: World
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description/annotation: From urban nature poems, to noir nightmares Adrian Slatcher’s collection provides a new take on our globalised experience, seeing us as small parts in “a colossal machine.” The poems range from the dark to the surreal to the amusing, and are deeply engaged with understanding our fast-moving information-rich world.
Main description: “Playing Solitaire for Money” is a collection of lyric poems, which are contemporary in form and subject. It’s roughly split into three types of poems. The first third are poems about our globalised experience – seeing us as small parts in “a colossal machine”, bit part players in the complexities of modern society. The poems take our everyday experiences and distil them into somewhat surreal, but always truthful scenarios. The middle poems in the collection are more personal – observations on modern life, or ruminations on cinema or fiction. The last few poems are more playful – stepping out into the hidden landscapes on the edge of the city, or conjuring up scenes of middle-class absurdity. Yet there is nothing mundane in these poems. A cup of coffee in a high street chain is a chance to imagine the “impossible narratives” of the “coffee girl” serving the author; getting lost in a maze becomes a question about poetry’s use of metaphor; and, in the poem from which the title line comes, a person’s internal manias become a real life “monster”, that sits on it’s own, “playing solitaire for money.” These two dozen poems are never slight, and always repay re-reading, almost metaphysical in their warping of our recognisable realities.
Table of contents: Playing Solitaire for Money The Panic My Monster Drama A Colossal Machine Merit in Connection Is it just me or is everything??? Frontier The Death of the Grand Gesture 1983 Late Love Bottle Sky Cinema The Maze Coffee Girls Love and Death in the American Novel Clues The Borrowers Over and Back Dog Clouds A Problem with Genre At the Vegan Cafe Festival Season Some Invented Evening I, Conservationist View excerpt as PDF:
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Excerpt from book:
Late Love
Have I ever wandered in the flower garden, Absent from self-obsession, Or, when drawn to a particular bud Smelt its brief fragrance and lost myself? And why, when transient beauty Fades at speed, do I still glow With the warm lie of that time???
Is it because I am a special case Hotbed raised and partial to the sun? Or would it be truer if I said: We are all blessed with these hopes And only weep when the memories turn Into emblems of our casual regret. On standing before the wind, a stem will break.
And when the past days merge into future nights And chance uploads its lucky card— When driven snow piles up against the solid door And a pale flame marks our sorrow … The long tracks in the snow we left behind Are traceable beyond the edge of the wood. A kiss, on lips still warm, redeems us still.
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