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Biographical note: David Lloyd grew up in the Welsh-American community of Utica, New York, USA. He directs the Creative Writing Program at Le Moyne College in Syracuse, New York and is the author of six books, including two poetry collections: The Everyday Apocalypse (2002) and The Gospel According to Frank (2009). In 2004 he published a fiction collection, Boys: Stories and a Novella. His poems have appeared in numerous journals in the US and Britain, including DoubleTake, Planet and Poetry Wales. In 2000, he received the Poetry Society of America’s Robert H. Winner Memorial Award, judged by W. D. Snodgrass.
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EAN13: 9781844717606 ISBN: 9781844717606 Author: David Lloyd Title: Warriors Series: Salt Modern Poets Product class: BC Language: eng Audience: General/trade BIC subject category: DCF Publisher: Salt Publishing Pub date: 15-Apr-12 Extent: 80pp Height: 216 mm Width: 140 mm Thickness: 5 mm Weight: 120 gms Supplier: Gardners Books Supplier: Ingram Book Group Supplier: Inbooks (James Bennett) Availability: NP Price: GBP 9.99 Price: USD 15.95 Rights: World
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description/annotation: In addressing public and private conflicts and transnational borders, David Lloyd’s new collection Warriors draws from myth, history, popular culture, family, the animal world, the environment while using an array of forms: the sestina, the parable, the lyric, the narrative, the poem sequence.
Main description: The historic and domestic subjects in David Lloyd’s new collection are drawn from myth, history, popular culture, family, the animal world, and the environment. In addressing public and private conflicts and transnational borders, Warriors uses an array of forms: the sestina, the parable, the lyric, the narrative, the poem sequence.
Table of contents: Part One: The Great Khan I. The Second Greatest Joy II. When … III. What’s Next? IV. In the Conquered Land of the Dead V. Lifetimes Later Part Two: Lords of the Jungle The Everyday Apocalypse What If? Sitting Bull Homage to Daniel Boone Expedition What’s Left? Bomber Over Carreg Cennen After the Crucifixion Miracle In the Courtyard of the High Priest Perfection Skin Lord of the Jungle Snowman State of the Union Perspectives Various Restrictions The Inner Nothing A Definition of Insanity Giving It All Away Part Three: Father and Son I. Homecoming II. First Bruise III. The Past IV. Love (I) V. Armament VI. The Touch VII. Love (II) VIII. Telling IX. The Fight X. Once Upon a Time XI. Somersaults XII. Choices XIII. Deity XIV. Death XV. Memory Part Four: Bedtime Stories Schizo The First House I Knew The Second House I Knew Bedtime Stories In the Wilderness A Problem with Time Part Five: Lessons in Geography I. Childhood II. Adolescence III. Adulthood IV. Old Age View excerpt as PDF: Click here to view a sample ( KB)
Excerpt from book:
Perfection
One day the man who empties the trash from my office wastepaper basket, who limps and doesn’t speak clearly or well or even often, tells me he sleeps with fourteen cats, so each night he’s touched in different places by different cats stretching, kneading, licking tails, yawning, settling themselves with different access at different times to his warmth, dreaming of him or maybe not – who can know? – while around the bed, he tells me, thirteen dogs take turns patrolling perimeters, curling up on pillows he’s tossed on the floor or pacing by windows and doors, checking locks, latches, keyholes, sniffing the apartment air, punctuating the night with growls or barks as necessary, while outside, he says, the squirrels never stop perfecting their acrobatics for the morning breakfast show and the birds sharing those branches and telephone wires in the dark gather in twos and threes to wake him, he says, with a chorus they never get right, though they try again each morning, as faithful as his dogs, and one day – he’s very sure of this – they will sing perfectly in unison.
Unpublished endorsement: David Lloyd in these poems asks us to measure our appetites, our time, and ourselves against the history and hubris of the great potentates, gods, warriors, and fathers. He sounds the limits of knowing and loving, and maps both the “North American forest of aboriginal danger” and the interior. His aim is at the heart. He is unafraid to ask the large questions of love and loyalty, mutability and awe. In these bold and essential poems he reveals the “secret markings” of creatures and returns – skillfully, subtly – to the stories of our forming. Bruce Smith Unpublished endorsement: Politically urgent, David Lloyd’s poems consider how we deal with power, information, the absurdity of fame. This book is more than enjoyable, it is necessary. Robert Minhinnick Review quote: Citation for David Lloyd’s co-winning entry to the Poetry Society of America’s year 2000 Robert H. Winner Memorial Award
David Lloyd’s “Sestinas for the Everyday Apocalypse” takes one of the most rigid forms – one that in most hands is clumsy and boring – turning it flexible, muscular and dramatically satisfying. Despite Lloyd’s range of variations, we have the sense of an established poetic “line” and of a working correspondence between syntax and music. More important, the best of these ten poems – above all, the final sestina – address the fearful dilemmas, our common losses and triumphs, with an unforced wisdom at once convincing and beautiful. W. D. Snodgrass |
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