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Aaron FaganEcho Train |
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Biographical note: Aaron Fagan was born in Rochester, New York, and raised in Victor. He was educated at Hampshire College and Syracuse University where he specialized in poetry. He moved to Woodlawn in the Bronx in 2006 and was a copy and research editor for Scientific American magazine. Harold Bloom said his first collection of poems, Garage (Salt Publishing, 2007) was "vivid and aesthetically disturbing work" and that "his promise is considerable because his originality should prove to be decisive."
BIC Basic EAN13: 9781844717491
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Short description/annotation: Echo Train begins "Once upon a time / Books began this / Way" and asks us not “to be shocked to find / We must return and / Stand for what we are” when we reach the book’s end.
Main description: Echo Train begins "Once upon a time / Books began this / Way" and asks us not “to be shocked to find / We must return and / Stand for what we are” when we reach the book’s end. Readers who said they tend to avoid poetry altogether sat down with the intention of reading one or two poems and found themselves reading it all the way through in a single sitting.
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Excerpt from book: Public Sounds from Afar
Unpublished endorsement: Somewhere along the continuum of black holes and dividing cells, televised moonlight and Sanskrit tattoos, Fagan makes a characteristic music—bluntly oblique, elegantly perforated—out of the sufferings and strange comedy of the everyday grotesque and everyday irrational, “inventing / My reason to stay out of thin air.” This Echo Train reverberates with remnants of everything from souvenir T-shirts to ancient hymns while emerging into the jagged sound of its own present moment. Geoffrey O’Brien
Unpublished endorsement: Aaron Fagan’s poems are perhaps best at what poetry itself is best at: taking the details of everyday life and finding something of philosophical significance. The way he does this—with some brutally beautiful sentences, incredible control of rhythm, and all those perfect final lines—is quirky enough that his writing is original and grounded enough that it always feels true. Matthew Welton
Previous review quote: "Fagan's first book is vivid and aesthetically disturbing work. His promise is considerable because his originality should prove to be decisive." Harold Bloom
Previous review quote: "Evident [in Garage] is the self-mocking, saturnine temper of such precursors as Alan Dugan (from whom Fagan takes an appropriate epigraph) or even Howard Nemerov. Yet even these anti-lyrics and bedroom palinodes strive towards apt purposes: this poet so given to humble skepticism he still tries to believe that ‘each thing we make / Results from the wild permutations of love.'" Publisher’s Weekly
Previous review quote: "Fagan's work is primarily occupied with distance; his verses often begin by acknowledging a remove from the subject—whether is be person, place or thing—end then, in the most hopeful of poems, subtly closing in on it by the end." Jonathan Messinger, Time Out Chicago
Previous review quote: Way back in the book-writing era, Plato wrote about the ‘old quarrel between philosophy and poetry.’ If the quarrel seemed old to Plato while writing The Republic, to make it seem new in 2007 requires some serious ingenuity. In his inventive first book, Garage, Aaron Fagan seems to be the poet for the job. Like Plato, Fagan is interested in definitions: what kind of philosophizing in a poem is an unearned indulgence, while another sort of philosophizing might qualify as art…. As much as Plato attacked poetry, he recognized something vital about a rhetorical stance made lyric; that vitality is sharply present in the questions and turns of thought in Garage. Fagan both considers the ‘laws’ of poetry and breaks them, a mix that has made for an excellent first book. Idra Novey, The Believer
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