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Biographical note: Liz Gallagher was born and brought up in Donegal, Ireland. She has been living in Gran Canary Island for the past 14 years. She has an Education degree where she specialised in Irish language. She also has a Computer Science degree. She is at present doing research into online debating for her PhD. She began writing about 5 years ago and has won a variety of awards in both Ireland and the US: Best New Poet 2007 (Meridian Press, Virginia University) First Prize in The Listowel Writers’ Single Poem Competition 2009 and she was selected by Poetry Ireland for their 2009 Introductions Series in recognition of her status as an emerging poet.
BIC Basic
EAN13: 9781844715671 ISBN: 9781844715671 Author: Liz Gallagher Title: The Wrong Miracle Series: Salt Modern Poets Product class: BC Language: eng Audience: General/trade BIC subject category: CTCH1 Publisher: Salt Publishing Pub date: 15-Jul-09 Extent: 80pp Height: 216 mm Width: 140 mm Thickness: 6 mm Weight: 120 gms Supplier: Gardners Books Supplier: Ingram Book Group Supplier: Inbooks (James Bennett) Availability: NP Price: GBP 8.99 Price: USD 14.95 Rights: World
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description/annotation: From the cosmic to the domestic, from childhood flashback to adult matter-of-factness, from the simply chilling to the witty and authentic – cleverness and a surreal intensity entertain and enlighten, making Wrong Miracle an achievement of the amusing and the deep. These poems will tempt one to exclaim: ‘Ah, what a great thing for poems to do!’
Main description: Everything is a miracle. It is a miracle one does not dissolve in one’s bath like a lump of sugar. (Picasso)
Philosophical, inquisitive, humorous narratives show Gallagher’s talent for letting ideas be widely connotative – sharp and daring, quirky and knowing – these poems of wide-ranging themes and approaches are chock full of the unexpected, delivered in lively rhythms and tempo with an energy and way of seeing the world that is compelling.
Be the poems about an addiction to soap watching or searching for the ‘real’ flamenco to oddly philosophical glimpses into angels and bath time or Picasso and a sexual snap — these well-rounded poems are full of spark, moving one into seeing the grand significance in the mundane.
Darker angled poems zone in on death, on loneliness, on a graveyard visit, on war. These poems use original images to bring timely messages that are real and tangible.
A series of love poems incite gorgeous, off-centre views on love. Playfulness and tongue-in-cheek mix with sensuality and randomness, idioms catapult into surprises, there are implications and engaging twists and urgency.
From the cosmic to the domestic, from childhood flashback to adult matter-of-factness, from the simply chilling to the witty and authentic — cleverness and a surreal intensity entertain and enlighten, making Wrong Miracle an achievement of the amusing and the deep.
Gallagher is a poet of immense resource with a refreshingly original voice that will move one to exclaim – ‘Ah, what a great thing for poems to do!’
Table of contents: Decorum A Bruising on the Bone Woman in a Red-Head A Lady in the Bath with Angels All This Wonderment Here’s Me in an Anonymous Society Spring Breakfast Cereals, Picasso and a Sexual Snap A Poem that Thinks It Has Joined a Circus Finding the Right Silences Compartmentalise Look What the Cat Dragged In Sunglasses Prelude to Getting One’s Act Together Rooster on a Dangerous Bend (Or There Is No Satisfaction in Losing One’s Hat) Spring the Life Fandango The Loneliness of Not Being Equivalent to the Other Soaps The Sun Splits Second Thoughts on Sunday Graveyard Visit (1) Deposits in the Heart Region Small Acts Waking a Grandmother My Father Shows Me How to Sharpen a Bush-Trimmer A Guide to Enjoying a Wet August Letter From a Far-Flung Place Bogeyman at Play A Bout of the Sinister in the Everyday The Woman with All Her Curtains Drawn Mostly, My Dogs Excel the Gods ‘Please Be Yous Good Till I Get Back!’ Sunday with Ritual Episode iii: The Day the Shelling Started Sun Over a Tree Line City Roof Top The Agony in the Garden The Soldier Sways on a Swing: Episode XV 14 Seconds Feet and Mouth and Shoes Irreversible Against the Odds, We Talk Ourselves into Things Shuffling Feet in the Early Hours In the Kitchen with Chestnuts and Tomatoes Crazy Love Falling Out of Love (or Remaining Untrained in Kite Flying) Sing Me a Sort of Lily-the-Pink Song Signs Exposition of the Contents of a Heart Small Consolation Sometimes When You are Bent Over Chopping leeks … The Wrong Miracle Love Exists in the Back-Boiler Room Allow Me Search Me (All Else Failing) In the Dark, Listening to Rain Cosmic Noise A Breeze in My Hair
Excerpt from book:
Sun Over a Tree Line
I was buying a croissant when I saw the execution photo. Sometimes we focus on the explorer — the tangled weed inside
every Because they said so. Nerves can be as frayed as a sofa. Faint hoof prints take over and a last wish for a dictator
is a pedicure. Measures of change are contained in names once held in a cell phone — a baker missing,
a family, moved. A city under siege is a Humpty Dumpty — its people grab door handles and door frames collapse.
Moth-eaten fabric covers all wars. A problem is dead bodies — blankets waterlog, headlights turn off and it is
all about inching forward like thieves. A mistake magnifies within its own dimensions. Under the gaze of a camera,
there are epiphanies — God becomes a ragged fellow who moves from tree to tree in the back of the mind.
He pursues the living and the dead stay dead.
Unpublished endorsement: Liz Gallagher's poems delight in the possibilities of language. They seize us from the first line and tug us along, startled and exhilarated by the tumbling originality of her use of words. Laurie Smith Magma Unpublished endorsement: Whether about an untranslated paragraph on shooting ducks or breakfast cereals, Picasso and a sexual snap, Liz Gallagher's poems are proof that everyday movements generate power and magic. The Wrong Miracle is the work of a master illusionist—a fusion of the surreal and the domestic, the strategic and the spontaneous—where perception is challenged and subtly reinvented. Arlene Ang The Pedestal Magazine Unpublished endorsement: These are poems that may surprise: sprinkled with humour and vivid word pictures. The verbal twists take you by a friendly matter-of-fact hand to show you other truths. Liz Gallagher owns a true poet’s eye for detail paired with a flair for oddly compelling juxtaposition. Her poetry wants to show you this other thing it has found, like a cat displaying its catch. (as in her poem) ‘Just look what the cat dragged in’. Barry Harris Tipton Poetry Journal Unpublished endorsement: Long lines with surprising phrases and rushing, tumbling images mark the narrative trend of Liz Gallagher’s poetry. The poems lean into the strength of these narratives, rely upon the poet’s willing experimentation with varietal voice, and in so doing, create a distinctive diction — one with introspective vision that bubbles out of earthy perception, like a choice mineral spring. Eve Anthony Hanninen, Poet, Writer, Artist & Editor of The Centrifugal Eye |