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Biographical note: Alan Gould was born in London in 1949, he is a contemporary Australian poet, novelist and essayist. Before moving to Australia in 1966, he lived in Northern Ireland, Germany and Singapore. He completed a BA at Australian National University and a Diploma of Education at The Canberra College of Advanced Education. After working as an agricultural labourer and nuclear physics technician, Gould began writing full time in 1973, augmenting his income with occasional teaching and literary journalism. His first collection of poems, Icelandic Solitaries, was published in 1978 and has been followed by numerous volumes of poetry, fiction and essays. His best known novel, To the Burning City (1991) describes the relationship of two brothers, dramatically affected by World War II and won the National Book Council Banjo Award for Fiction in 1992. Gould’s other awards include the Kenneth Slessor Prize for Poetry (1981), the Foundation for Australian Literary Studies Best Book of the Year Award (1985), and The Grace Leven Award for Poetry (2006).
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EAN13: 9781844714940 ISBN: 9781844714940 Author: Alan Gould Title: Folk Tunes Series: Salt Modern Poets Product class: BC Language: eng Audience: General/trade BIC subject category: CTCH1 Publisher: Salt Publishing Pub date: 15-Jul-09 Extent: 80pp Height: 216 mm Width: 140 mm Thickness: 6 mm Weight: 120 gms Supplier: Gardners Books Supplier: Ingram Book Group Supplier: Inbooks (James Bennett) Availability: NP Price: GBP 8.99 Price: USD 14.95 Rights: World
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description/annotation: Folk Tunes seeks to present poems that combine the immediacy, lightness and clarity of sense found in much folksong with the formal shapeliness and appeal of such music, while presenting fairly the complexity and delicacy of emotion required by the subjects addressed.
Main description: The title, Folk Tunes, arises from my appointment in 2003 as a ‘Poet-in-residence’ at The National Folk Festival in Canberra. I was struck by the immediacy, the lightness, of appeal to a broad audience in much folk music, both in its ‘raw’ performance, and when it is taken up in Classical Music, such as in the work of Vaughan Williams, Holst and others. So I began composing poems that tried to combine immediacy in their sense and musicality in their versification. Some of the contents are love poems or ‘snapshots’ of different kinds of love, some address contemporary politics, or alight upon moments in history, and some are part of an awakened interest in the power and mystery of Christianity. But all, I hope, combine the formal shapeliness of much folksong with a clarity of sense, while not doing disservice to the complexity of the emotion attached to the various subjects I present.
Table of contents: Acknowledgements She Sings Him The Demoniser’s Song My Town Takes Its Chance I Try To Think That Vile Thing Down I Walk From The Shops We Claim We’re Equal, But An Understudy For Desire Two Poems by Pall Olafsson Vernacular Exchange, (Horace Odes III.9) Loveshots From Oral History, Some Dockland Music Boston 1773 A Fantasy Of Old Amsterdam Odd Impulse Marking D Day’s 60th Ticketty-boo?? Environmental Incident Bad Faith In The Last Age Of Poetry The Woolly Half-Poem Ill Tempo On Drought And Crime-fiction Mulberries And The Death Of The Literary Novel Seven Takes On Occasion Futures Exchange Aesop The Juggler And My Mother September Nuance The Rap On Imagination And Rap Below The Pier Unidentified Music Tears At The Merry Muse Suburban Iris Questions In Early Summer Eleven Tilts Around The Soul Endless Insufficiency A Complement For Pelagius The Quick Of it He Sings Her View excerpt as PDF: Click here to view a sample ( KB)
Excerpt from book:
Environmental Incident
O’Connor Ridge
All along the newly bulldozed land the orange danger lights revolve in fog. Here, a caterpillar scores the ground, side-swipes each tree, which falls against its neighbours, collapses efficiently in a sigh of fibres.
After the arrests, the linking of arms, we have stood docile today to watch our share of the world’s calm rationalised into freeway.
It is the wheelchair woman’s son breaks rank, sprints toward that monstrous swinging claw. Efficiently too, he’s stopped, returned to us, sobbing. The cops are tender and benign, handle him back across the rational line.
Unpublished endorsement: Folk Tunes is a great pleasure to read, and a welcome addition to Gould’s already impressive oeuvre. Stephen Edgar Review quote: On Momentum: Always the craftsman himself, Gould matches his verse technique to the technique he’s describing. This, and the democratic sentiment, make these works to take into schools to show the poem as a thing at home with its achievement, like other well-made products of the workplace. Dr Christopher Pollnitz The Sydney Morning Herald 1992 Previous review quote: Gould compels a close reading; he provokes quotation; he encourages thought; he rewards the flexible ear and the remembering eye Vernon Young Parnassus Poetry In Review 1978 Previous review quote: Astral Sea is a fine collection…containing poetry not only shot through with the magic of the world, but which, to a degree almost unparalleled in contemporary Australian poetry, brings the breadth and variety of the world and its history to our door. Dr David Brooks The Canberra Times 1981 Previous review quote: Most obviously he is a master of technique, one who is at home with every conceivable variation of form from the challenging sestina to the deceptively easy-looking prose-poem. Unlike the work of some technical virtuosos, Gould’s poems never lack content. He deals with large and timeless subjects, and thus is exempt from the whims of fashion, though he also thus avoids its embrace. It is little wonder he has succeeded as a novelist, as the poems often incline toward narrative, while Gould’s fascination with the intricacies of human motivation are everywhere apparent. Jamie Grant The Adelaide Review - April 1992 |
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