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Biographical note: Poet and novelist Tobias Hill was born in London, England, on 30 March 1970. He read English at Sussex University and spent two years teaching in Japan. He is the author of three collections of poetry: Year of the Dog (1995); Midnight in the City of Clocks (1996), influenced by his experiences living in Japan; and Zoo (1998), which coincided with his tenure as Poet in Residence at London Zoo as part of the Poetry Places scheme administered by the Poetry Society. He is also the author of an acclaimed collection of short stories, Skin (1997), which won the PEN/Macmillan Silver Pen Award.
BIC Basic
EAN13: 9781844714780 ISBN: 9781844714780 Author: Tobias Hill Title: Year of the Dog Series: Salt Modern Poets Product class: BB Language: eng Audience: General/trade BIC subject category: CTCH1 Publisher: Salt Publishing Pub date: 15-Mar-08 Extent: 64pp Height: 216 mm Width: 140 mm Thickness: 10 mm Weight: 96 gms Supplier: Gardners Books Supplier: Ingram Book Group Supplier: Inbooks (James Bennett) Availability: NP Price: GBP 12.99 Price: USD 23.95 Rights: World
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Short
description/annotation: Tobias
Hill’s first full-length collection,
Year of the Dog, won an Eric Gregory award
in 1995. Dominated by images and narratives
from Hill’s stay in Japan, as well as
other travel poems, the book contains Hill’s
celebrated sequence ‘A Year in Japan’,
with its sweeping filmic narratives of the
poets encounters in a distant and strange world.
Hill’s skills in depicting urban pastoral
landscapes and human tableux are much in evidence.
Now made available in a new edition, this hard
to obtain work will delight fans and collectors
alike.
Main description: Tobias
Hill’s first full-length collection,
Year of the Dog, won an Eric Gregory award
in 1995. Dominated by images and narratives
from Hill’s stay in Japan, as well as
other travel poems, the book contains Hill’s
celebrated sequence ‘A Year in Japan’,
with its sweeping filmic narratives of the
poets encounters in a distant and strange land.
Hill’s skills in depicting urban pastoral
landscapes and human tableux are much in evidence.
Now made available in a new edition, this hard
to obtain work will delight fans and collectors.
“Hill’s special territory, in poetry and prose, is the ‘urban-pastoral’ … his native North London is transformed, with many deftly dark touches, into an uneasy realm of the imagination. Hill clearly appreciated Simon Armitage’s storytelling persona; he also drew upon observation of the natural world in ways associated with Ted Hughes. Much of his imagery is by turns delicately ‘Japanese’, or reminiscent of the heyday of Craig Raine’s ‘Martian’ style. Hill has a romantic dimension in his work that is all his own. As a young man with an intense curiosity about the world, his work is full of sensual images, vignettes of city life – and romance … these are poems of flirtation and desire.” —contemporarywriters.co.uk
“The closeup detail taken directly from nature, then skewed through 90* to give the reader something completely new, even unique … with this third collection, Hill promises to be a real force in poetry, displaying an utterly contemporary understanding of how nature continues to work.”—Poetry Review
Table of contents: London Pastoral Close The Mosquito’s Opposite Waiting In The Rooms Of The Plague House The Secret Of Burning Diamonds A Year In Japan: January February March April May June July August September October November December Snake Oil Night-Ride, Japan On The Island Of Pearls Today The House Is Full Of Dishcloths Rio In Carnival Dreaming Of Home Prelude From The Bullet Train On The Slow Mountain Train Green Tea Cooling Jael The Vampire’s Price The Long Road To Silence The Barber’s Daughter The Ritual Of Making Makondi Sculpture
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Excerpt from book:
From the Bullet Train
At the far edge of the arclit terminus an old man sits in the sunlight between his backdoor and the tracks, scooping white pumpkin seeds from their yellow hollow with a black lacquer bowl.
Beside me, the businessman’s wife sleeps with her face averted from her husband or lover, not quite smiling. Silence and slow motion. Her eyes open. The pupils are pinpoints of thought.
the carriage leans into the curve of the track, picking up speed. Zinc roofs below the viaduct and blue smoke from the piano factory — passed in a moment. The sea levels the horizon.
“Sashimi. Coffee or tea.” The businessman eats raw eel from a polystyrene dish patterned with copper clouds. I turn. Outside
a swamp town. Sluggish flats of rice and buckwheat. A horse and cart. By its mother’s side the colt running on graceless legs, learning movement to the sound of the wheel —
Gone. I sleep and wake only when the businessman’s wife touches my arm. She points; bamboo blossom, that flowers once in every hundred years.
Sallow flowers hung from a sheaf of spears.
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