Biographical
note: Tim Dooley has taught
in and near London since 1974. He has reviewed
poetry for the TLS. and has worked as a creative
writing tutor for Arvon, Writers’ Inc
and The Poetry School. His first collection
The Interrupted Dream was published by Anvil
in 1985. This was followed by The Secret
Ministry (2001) and Tenderness (2004), both
winners in the Poetry Business pamphlet competition.
Tenderness was also a Poetry Book Society
pamphlet choice.
BIC Basic
EAN13: 9781844713332 ISBN: 9781844713332 Author: Tim
Dooley Title: Keeping
Time Series: Salt
Modern Poets Product class: BB Language: eng Audience: General/trade BIC subject category: CTCH1 Publisher: Salt
Publishing Pub date: 15-Oct-08 Extent: 72pp Height: 216
mm Width: 140
mm Thickness: 5
mm Weight: 108
gms Supplier:Gardners
Books Supplier:Ingram
Book Group Supplier:Inbooks
(James Bennett) Availability: NP Price: GBP
12.99 Price: USD
23.95 Rights: World
Short
description/annotation:POETRY
BOOK SOCIETY RECOMMENDATION. Elegant,
interesting, fluent, funny and wise, Tim Dooley’s
new collection Keeping Time brings together
the remembered and the imagined, in poems whose
every line seems balanced as if with a spirit
level. New vocabularies cohabit with traditional
literary forms. Key public events of recent
years are explored alongside timeless themes.
Main description:POETRY
BOOK SOCIETY RECOMMENDATION. Elegant,
interesting, fluent, funny and wise, Tim
Dooley’s new collection Keeping Time
brings together lyrics and fragmentary narratives,
the remembered and the imagined, in poems
whose every line seems balanced as if with
a spirit level. In a special issue of Agenda
on ‘The State of Poetry’, Dooley
wrote ‘the condition of poetry isn’t
soliloquy but colloquy, a conversation that’s
been going on before the poem starts, and
is capable of being joined and continued
by others.’ Keeping Time reflects this
plural, provisional vision. New vocabularies
of social and technological change cohabit
with after-images of traditional literary
forms. Key public events of recent years
are explored alongside recurring timeless
themes. First- and third person- pieces accompany
narratives whose protagonists slip slyly
from one poem to another. This is a poetry
of light and movement that captures the reader’s
attention in unexpected ways.
Table of contents:
In the palm of my hand
The length of spring
Cellular
Digital
The TPA Bar
In the Street
Y Habra Trabajo Para Todos
The briefcase
Itinerants
The Milky Way
June
Preparing to meet the day
September
Resistance
Mrs. Wu
The Cavalcantine Lure
Song
Southerly
Tityus
For Ernest Seigler
Delivery
Seeing Shelley Plain
The Folding Star
The Next Poem
Snow Days
Detente
The Unburdening Room
Conduit
Sleepwalker’s Romance
Class
Afterwards
A Postcard from the Fifties
Chez Haynes
Tenderness
Echoes
Yes it is
Brief Encounter
Another Part of the City
Edit
Narcissus
Directive
Pornography
Out
A Salesman in the Lakes
The Hammer
Self-Criticism
Customs of the Province
Aspinall’s Zoo
Heritage
The Border
The Tambourica Player’s Wife
Revenants
The Secret Ministry
Sunday Morning
That Year
A stone’s throw
from Fleet
Ditch the
plastic cup of
wine taken
from me and a
face I start
to recompose We are Nabis
of the text. Mr
4 a.m.’s dark
glasses share a
flat December
surface with
poems of failed
marriage, a
balcony open to
night’s cries,
flecks in the
retina, urine
examined for
portents. It has been
taken from me,
the beautiful
skin tones of
the young,
gull-shrieks off
the Atlantic,
a child lost
in walkways of
dapple grey.
Review
quote: You know how you
and your family went on that European trip
when you were a kid and how, when you got
back, ice cream seemed common next to the
gelato you’d had in Palermo and your
mother’s mashed potatoes were kind
of lame when compared to the bangers and
mash you’d eaten in Cork? Well, as
it turns out, a lot of books get published
abroad that don’t really reach our
fair shores, and many of them are great.
Among those publishers who are better known
on the other side of the pond is Salt Publishing,
and the contemporary poetry they’re
publishing is pretty exciting stuff. Tim
Dooley’s latest collection comes out
in July, and there’s more than a strong
case to be made that Dooley should be read
in the colonies. He’s colloquial, he’s
smart, his work is intelligent and sometimes
difficult. Plus, you could tell people that
you’re reading Tim Dooley, and when
they say, “Who?” you can roll
your eyes, sip your drink and shake your
head knowingly.
L Magazine
Previous
review quote: Dooley seems
to me among the handful of writers today
trying to work towards a serious, intelligent
poetry of the people – something that
is neither frivolous verse nor poetry built
for the seminar room.
Peter
Sansom
Orbis
Previous
review quote: Tim Dooley’s
poems are about the ordinary activity of
trying to live a good life where that word
good is subject to many temptations … Needless,
perhaps, to say, but I think some of these
poems good indeed.
Peter
Robinson
The Many Review
Previous
review quote: The invitation
Dooley offers is to take it all in. That
done, there are all kinds of rewards – not
only the slow piecing together of reactions
and responsibilities, but a wary sense of
humour, quiet enough to be missed if you
don’t stop to listen.
Philip
Gross
Poetry Review
Previous
review quote: It’s
not usual to put a book down feeling that
only now do you know how to read it, how
to pick up the wit and atmosphere.
Peter
Porter
The Observer
Previous
review quote: This admirable
volume rises to the challenge of contemporary
lethargy.
Martin
Dodsworth
The Guardian
Previous
review quote: Tim Dooley’s
first collection is an impressive one. Moving
in and around the world it creates, his language
attempts to come back to a sense of what
is personally real … feeling and language
fall over each other in an attempt to find
the truth
John
Lees
Iron
Previous
review quote: Tim Dooley … strikes
the familiar disciplined private note but
goes beyond the classic gentilities and is
open to discontinuities of feeling. The measured,
meditative manner sometimes quickens … into
loping inclusiveness of definition, or breaks
out in arresting tight-lipped urgencies (including
urgent uncertainties) of perception
Claude
Rawson
TLS
Previous
review quote: Dooley’s
sum exceeds his image-making parts. Exploiting
the lightly-clad pamphlet’s ability
to flit beneath our radar he targets, from
unexpected angles, such ‘big’ themes
as historicity and 9-11. Suffused with humane
politics, Tenderness enacts its title in
the way it moves through both popular and
literary motifs (vinyl discs, Narcissus)
to close-stitch its fabric with subtle effects.
Amalgamating poise and intellect with a thoughtful
pacing of each poem’s release, Dooley
injects his words into their precision mouldings
with a characteristically delicate and perceptive
pressure.
Mario
Petrucci
PBS Bulletin
Previous
review quote: A good poem
has a translucent surface, letting the reader
in, keeping back its mysteries and surprises
for a deeper reading … The best poems
are superb.
Gillian
Clarke
Smith/Doorstop Prize Commendation
Previous
review quote: Here are
the poems of a ‘thinking’ man …filled
with a form of bourgeois compromise Yet I
am fascinated by the occasions when such
poetry as this seems to surpass its own structure
and click a switch in my yawning brain. It
happens (here) in the poet’s consideration
of aspects of the deregulated workplace.