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Biographical note: Dr Anita Heiss is a member of the Wiradjuri nation, and is an author, poet, satirist and social commentator. Anita’s published works include the historical novel Who Am I? The Diary of Mary Talence, Sydney 1937, satirical prose Sacred Cows, adult novel Not Meeting Mr Right, kids novel Yirra and her deadly dog, Demon and non-fiction text Dhuuluu-Yala (To Talk Straight) – Publishing Aboriginal Literature.
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EAN13: 9781844713165 ISBN: 9781844713165 Author: Anita Heiss Title: I’m Not Racist, But ... Series: Salt Modern Poets Product class: BC Language: eng Audience: General/trade BIC subject category: CTCH1 Publisher: Salt Publishing Pub date: 01-Jun-07 Extent: 96pp Height: 216 mm Width: 140 mm Thickness: 6 mm Weight: 144 gms Supplier: Gardners Books Supplier: Ingram Book Group Supplier: Inbooks (James Bennett) Availability: NP Price: GBP 9.99 Price: USD 15.95 Rights: World
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description/annotation: I’m not racist, but … is a collection of social observations, thoughts and conversations that will challenge the reader to considers issues of imposed and real Aboriginal identity, the process of reconciliation and issues around saying ‘sorry’, notions of ‘truth’ and integrity, biculturalism and invisible whiteness, entrenched racism and political correctness.
Main description: I’m not racist, but … is a collection of social observations, thoughts and conversations the author has had over 15 years travelling Australia and the world; as a tourist, as a writer, as an academic, and always as a proud, strong, contemporary Aboriginal woman.
From the home of the largest Indigenous population in Australia – the city of Sydney – to the Mohawk Reserve of Kanhawake, Quebec, the work considers issues of Aboriginal identity, both imposed and self-defined, the process of reconciliation and issues around saying ‘sorry’, notions of ‘truth’ and integrity, biculturalism and invisible whiteness.
Poems like “My Best Friend’s White” demonstrate the way in which racism is entrenched in every day Aussie phraseology, while the saturation of political correctness, the increased need for ‘token Kooris’ and the unreal expectations of Aboriginal people are highlighted in the short radio play, “Token Kooris: Blackfellas for Hire”.
In this collection, Heiss challenges her reader to consider what it is they are doing when they research or write about Aborigines, what role Aboriginal Studies plays in academia and what indeed, anthropologists actually study. Heiss questions what the spirit of Australia is and offers a “10 Point Plan for A Better Australia”, which will possibly only come about after digesting her “A-Z of First Contact”.
Some may consider Heiss’ work as experimental. She considers them words that may help readers understand the issues that impact daily on the ways in which we all relate to each other regardless of heritage.
Table of contents: Apologies Aboriginal Studies Anthropology is … Who’s Truth Different Lives, Different Values Indigenous Intellectuals I don’t hate you, but … My Other My 10 Point Plan for a better Australia Ode to my mother Pieces for peace For our children Making Aborigines Us and Them Advance Australia -Unfair Checkerboard love Expectations: (with respects to Phil Kawana) Untitled The Creator’s Prayer Holier than thou Thoughts Considering Self Why I write Pearls from an old Aunty What I know Dreaming You I heard you The A-Z of First Contact: (with respect to Gordon Hooky) Anger My Father’s Homeland: For my Father My friend the therapist said … White and Black poetry readings: distinct differences Face The Truth An Oztralian Preamble Stop Asking Me … What is the spirit of Australia? I’m Not Racist, But … Integrity Sorry Treaty Reconciliation #1 Reconciliation #2 Token Kooris: Blackfellas for hire (radio play) I know what you’re thinking Nameless face My Best Friend’s White Invisible Whiteness Coffee Coloured Being Aboriginal Bicultural Blackfella But You’re Not Really An Aborigine Identity Kahnawake Leon Carmen Proud to be Koori We Have Survived What Psyches You? Tolerated but not valued View excerpt as PDF: Click here to view a sample (492 KB)
Excerpt from book:
What is the spirit of Australia?
Is it the flying kangaroo? Or an image of a young Australians - in choir outfits strategically positioned at the base of Uluru singing” “I still call Australia home”? Can the ‘spirit of Australia’ be found in such commercialization?
Is it basking in Winter Olympic glory when an Aussie wins gold because everyone else in the race falls over?
Is it demonstrated by a Prime Minister who isn’t afraid to cry before the nation when it wins the America’s cup?
Is it denying freedom to asylum seekers? Is it feeling comfortable knowing Palestinian, Iraqi, Moroccan, and Iranian children are detained because they thought they’d find a less evil spirit here than in their own country?
Is it found in accessories like the Millenium collector’s item Akubra adorned with a genuine kangaroo leather plaited band and the ‘exclusive Sydney 2000 bronze filigree hat pin’. Can you capture the spirit if Australia by wearing clothes sporting the so-called ‘Aussie Spirit’ logo of a kangaroo?
Is it to be found on the ‘Capture the Spirit of Australia’ website owned by a US-based company?
These are all possible, however…
The spirit of Australia should be found - in its soul, it’s character, it’s courage and it’s foundation. A collective generous spirit could exist simply by celebrating the diverse nation we are.
But, it seems the ‘Spirit of Australia’ is an indefinable essence of Aussie-dom which can apparently be bought, marketed, logoed, animalized, idolized, bastardized and accessorized.
Gold Coast, 2002
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