Biographical note: Steven Waling was born in Accrington, Lancashire in 1958, and has lived in Manchester since 1980. He won the Smith/Doorstop Pamphlet Competition with his first publication, Riding Shotgun, in 1988, and also that year was a prizewinner in the Lancaster Festival Poetry Competition. He has since published four books, including Calling Myself On The Phone (Smith/Doorstop)
BIC Basic
EAN13: 9781844713141 ISBN: 9781844713141 Author: Steven Waling Title: Travelator Series: Salt Modern Poets Product class: BB Language: eng Audience: General/trade BIC subject category: CTCH1 Publisher: Salt Publishing Pub date: 01-Jun-07 Extent: 80pp Height: 216 mm Width: 138 mm Thickness: 5 mm Weight: 120 gms Supplier:Gardners Books Supplier:Ingram Book Group Supplier:Inbooks (James Bennett) Availability: NP Price: GBP 12.99 Price: USD 23.95 Rights: World
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description/annotation: Constantly looking for the wonderful in the ordinary, the beautiful in the demotic, Steven Waling explores the chances and encounters of modern life in vibrant, exploratory poems that sparkle with lyric fire. Using cut-and-paste and other chance techniques, his poems explore urban life, travel and relationships.
Main description: One day, the poet found himself with a dying poem. So, out of sheer frustration, he took a pair of scissors to it and began to cut the poem up and rearrange it, without looking at what he was doing. Suddenly, a poem that had been destined for the file marked “worthy but dull” sparked to life again, and he found himself excited by the possibilities of language again. Since then, this technique — and other uses of chance – have come to be increasingly important in his work. Constantly looking for the wonderful in the ordinary, the beautiful in the demotic, he is still essentially a lyric poet but in this book, he messes up the lyric's hair, exploring the the chances and encounters of modern life in vibrant, exploratory poems. A major section of the book are the Travelator Sonnets, inspired by Ted Berrigan’s pioneering Sonnets and the boxes of Joseph Cornell, cut-and-paste sonnets exploring nostalgia, travel and the chance encounters of modern life in 14 lines. Other poems explore his life in Manchester, his travels to Europe and Africa and his relationships, and there is a section of early poems that explore similar themes.
Meet the author:
Table of contents:
Part I Travelator: Random Sonnets Eating Paella My Bed Harold Wilson After Sappho: Fragment 31 For the Weekend Homeless Euro ’96 Mother Bad Cold Geocentric Prospects 2 The Man Who The All-Purpose Stars Travelator On the Town/ Dun Laoghaire The Raven Advice Column Designer Eyewear After Much Rain The Call Pinochet Diz for Prez Air Part II Ghosts on the Wall In Bed Three Poems About Love From the Specials Board Ghost The Pole Star, for Poem (Abandoned) In Hitler’s Bath Exile’s Lament Peace Poem The Blind Postman Catching the 22 Every Planet Has a North The Westerner The Man with Blues Guitar The Prospects The Crocodile Opens its Mouth Trade is Increasing Before Another Garage Sunday Gabba Gabba Hey (To Punk Rock) You Showed Us Your Row of Cups Pound Shop Through the White Hole Triplets That Summer Short Dreams in Didsbury The Eternal Lazarus Cod Tourist Information The Tuna Wars From the Country of Lost Hats Myopia Temporary Entrance John’s Picture The Annunciation
Excerpt from book:
Lazarus
He talked in feathery question-marks, you never got the point of. Nice line in parlour tricks: I died for real. I like to think I’m fairly ordinary but it’s like death follows me round.
I tend to do a lot of thinking but can’t remember much more: everything is in his voice: “Come forth!” he boomed in best stage voice. I stumbled out,
they tell me. Now half the town points: “Can you tell us a little more about yourself?” Dogs, parents of children who died: Mister Miracle they call me, from one step behind.
How much he must have loved me. This light is essential to me because it hurts. I stank of myrhh tripped over bandages. Don’t look at me, I can’t bring them back. How much
the dark keeps creeping underfoot – though when I’m feeling optimistic he must have needed me to live – I’m back there wrapped in quiet, and every night I wake in sweat.
Unpublished endorsement : I’ve greatly admired Steven Waling’s poetry since the Smith’s were in the charts. It might seem strange in these strange days to claim a poet’s work to be enlightening as well as enjoyable but I’d say this particularly true of Steven Waling’s. And the manner in which it enlightens is precision: of perception, of language, of social morality.
David Morley
Unpublished endorsement : The poems in this welcome new collection by Steven Waling reveal a way of entering the sacred and quotidian through a lens of generous attention, honoring both tradition and growth. Waling participates in the contemporary universe, and shares it in specific sensory detail. The warmth shown by this poet for his wide range of subjects corresponds to the vivid honesty, self awareness and humor represented in the poems.
Sheila E. Murphy
Unpublished endorsement : In Steve Waling’s poems phrases and meaning collide in glorious moments of friction and rebound, giving new insight to and commentary on the everyday. Waling’s work is always rooted in what we know, always uses accessible and down-to-earth language, yet manages through nuance and juxtaposition, shape and form, concern and vision, to nudge us along toward new meaning, a re-creation of our world.