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Louis Armand

Strange Attractors

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Biographical note:  Louis Armand lives in Prague where he directs the InterCultural Studies programme in the Philosophy Faculty of Charles University. His collections of poetry include Inexorable Weather (Arc, 2001), Land Partition (Textbase, 2001) and Malice in Underland (Textbase, 2001). He is also the author of several volumes of criticism including Solicitations: Essays on Criticism and Culture (Litteraria, 2005), Incendiary Devices: Discourses of the Other (Karolinum, 2005) and Techne (Karolinum, 2003). He is the editor of Contemporary Poetics (Northwestern), JoyceMedia (Litteraria) and Mind Factory (Litteraria).

 

BIC Basic

EAN13:  9781876857592
ISBN-10:  1876857595
ISBN-13:  9781876857592
Author:  Louis Armand
Title:  Strange Attractors
Series:  Salt Modern Poets
Product class:  BC
Language:  eng
Audience:  General/trade
BIC subject category:  CTCH1
Publisher:  Salt Publishing
Pub date:  31-Jan-03
Extent:  132pp
Height:  216 mm
Width:  140 mm
Thickness:  8 mm
Weight:  198 gms
Supplier:   Gardners Books
Supplier:   Ingram Book Group
Supplier:   Inbooks (James Bennett)
Availability:  IP
Price:  GBP 9.99
Price:  USD 15.95
Rights:  World

 

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spacer Short description/annotation:  Bringing together poetry published during the last six years, Strange Attractors is the most recent and extensive collection by the Prague-based award winning writer Louis Armand. Among the most prolific and widely received poets of his generation, Armand’s work is luminous with verbal innovation and critical insight. This volume confirms Armand’s standing as a major figure of the Prague renaissance and the post-fin-de-siècle of English-language poetry internationally.

 

Main description:  Bringing together poetry published during the last six years, Strange Attractors is the most recent and extensive collection by the Prague-based award winning writer Louis Armand. Armand’s themes shift between New York cityscapes and the Moroccan desert; from dissections of contemporary aesthetics, philosophy and politics, to reflections on human intimacy, the sympathetic faculty and violence. Among the most prolific and widely received poets of his generation, Armand’s work has been described by Miroslav Holub as luminous with verbal innovation and critical insight. As the editor firstly of the Prague Revue and later of the PLR (Prague Literary Review) – Armand has participated in, and often presided over, many of the literary transformations and reformations of the decade since communism’s collapse in central Europe. At the same time, Armand’s work has remained strongly internationalist, eschewing the facile temptations of literary nationalism This volume confirms Armand’s standing as a major figure of the Prague renaissance and the post-fin-de-siècle of English-language poetry internationally.

 

Table of contents:
the geometry lesson
some heliotropes
the geometry lesson
incarnedine
dimensions variable
psychology with nude & mondrian
monument to v. tatlin
stemmata: mode d’emploi
oxygen as a socially useful substance
deriving the circumference
tenor & vehicle
alembic
verlaine at mons
school of fontainbleau
exordium
against a field sinister
alembic
personage & emblems
a perfect bride
study for a portrait, june 16
festina lente
base materialism
trailings
dimensions unknown
towards a geometry of pancreatic islets
craft morphology
footnote to the bride
cloud canyons
jeu lugubre
meat sciences (appliqeé)
threshole
concetto spaziale
homage to linnaeus: systema naturae
hortus conclusus
anatomy lessons
tendances morbides
hortus conclusus
rigid designators
factotum
rigid designators
for the duration
jacques cousteau est mort
panopticon
denfert rochereau
serial noir
observations towards an epitaph
porte-jaretelles
scopolamine
chambre noire
symptomologies
prelude to an expedition
incessant acts
parthenogenesis
omitting the weather
plat du jour
documentary
an alphabetum for a.z.
october
prière de toucher
avant-propos
personal appliance
une femme de trente ans
lazarus
abject relations
two figures
sleeping positions

 

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Excerpt from book:  

school of fontainbleau

through late afternoon—the atomisers, blues, ethyl
alcohol, geese in the egyptian style—it is their old
familiar critique, disturbing the dust

“flagrantly bored & sleeping”—for the present, the
stairwell & the hall & two groundfloor bedrooms
remain in darkness, stuffed like a dead grate (the

sweat-thickened walls shrunken up to skin)—
now is the season of many returns, queued down
along the street, past the vacant taxi ranks

a small manoeuvre cancels everything—sends back
the vanilla-wrapped parcels, ledgers, the sagging
pudenda-like ornament of a mouth raised up

towards a telephone (“la voce del padrone”)—& what
is it saying? but after all, there is nothing left to say,
is there

 

Unpublished endorsement:  Louis Armand seeks to create a different kind of poetry. A voice that is both immediate and reflective, vital and residual. His is a poetry of extraction and distillation that merges myth and presence, that is elegiac and celebratory, ironic and sincere.

John Kinsella

 

Unpublished endorsement:  Armand pursues the complex challenges language poses and his own language is luminous and original, both in structure and in poetic form.

John Millett

 

Unpublished endorsement:  Armand’s ideal poet controls not primarily with language’s rhythmic music, but with how words collide and warp upon themselves …

Ethan Paquin

 

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