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Biographical note: Jill Jones is a Sydney poet and writer. Her work has been published extensively in Australia, New Zealand, Canada, the USA and UK. Her first book, The Mask and the Jagged Star, won the Mary Gilmore Award in 1993. The Book of Possibilities, 1997, was shortlisted for the National Book Council ‘Banjo’ Awards and the Age Book of the Year Poetry Prize. She has worked as a journalist, book editor and public servant. In 1995 she co-edited the anthology A Parachute of Blue (Round Table Publications).
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EAN13: 9781876857226 ISBN-10: 1876857226 ISBN-13: 9781876857226 Author: Jill Jones Title: Screens Jets Heaven Series: Salt Modern Poets Product class: BC Language: eng Audience: General/trade BIC subject category: CTCH1 Publisher: Salt Publishing Pub date: 01-Mar-02 Extent: 152pp Height: 216 mm Width: 140 mm Thickness: 9 mm Weight: 228 gms Supplier: Gardners Books Supplier: Ingram Book Group Supplier: Inbooks (James Bennett) Availability: IP Price: GBP 9.95 Price: USD 13.95 Rights: World
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description/annotation: The winner of the 2003 Kenneth Slessor Poetry Prize. Jill Jones’ poems are remarkable for their perceptions and insights, at once gentle yet resistant, accessible yet strict; the language assured in its effects and selection of detail. Her use of the meditative lyric is both masterful and compelling.
Main description: Screens jets Heaven contains a selection of poems from Jill Jones's previously published books, followed by a solid selection of new and uncollected poems. The work is intellectually sharp, alternately tough, lyrical, fibrous, dangerous, sceptical and delicate, characterized by clear-eyed imagery, taut lineation, humour and a distinctive mellifluous rhythm. Jones explores the boundaries of inner and outer experience, the shifts and discontinuities between fact and possibility. Hers is often a poetry of atmospheres – physical, emotional, etheric as it encompasses and moves through the grit and clamour of streets and neighbourhoods, the traffic of both road and air, harbours and city office blocks, work life, domesticity, the passions of the heart. She is an exploratory, expansive poet: nature (both terrestrial and celestial), the movement of the elements and weather, various affects of night and day are integrated within her human, psychic landscapes as a way of engaging with the rhapsodic. Her work is concerned with both the physical and material as well as more subtle levels of feeling and inner consciousness. Throughout the collection there is an involvement with the nature and quality of urban and inner suburban existence – as represented by the city of Sydney. The poet's persona observes, engages with, absorbs, scrutinizes and meditates on contemporary urban existence, in all its various tempers and tones. She invites the reader to share in the speculative processes of discovery. Overall this is a powerful collection, characterised by a sensual richness and a surrealist, transformative energy.
Table of contents: from The Mask and the Jagged Star 1992 Saturday morning in Ashfield Conversations in cars with the engine running If you’re in the neibourhood Hyperventilating in the supermarket Nosferatu in the suburbs Third floor outrider In the distance on the verandah Around the white vase Soap opera salad Transformations in a city block Gathering of tribes You are so correct now The phantom division Trying to steal the myth of lawns and fences Cruising on a ridge of silence Boys go crazy What you’ve lost is what you keep on losing Fire on the harbour The new laws of contracts The coming of the death star Mother i am waiting now to tell you Balcony from Flagging Down Time The power of a room Under the dust of living arrangements The names of birds Insect at the window The desert When planets softly collide Elegy for a breath The waves of midnight The lines of a solo Inside and outside houses Night gardens Every bar, every star There’s knowledge and then the sky Balancing on darkness From the kingdom of luggage trolleys A construction of radiance The mountain’s chorus Eleven fifteen from The Book of Possibilities 1997 Mozart walking by The white sail Woke up this morning in the crystal shop Solitary October The sweet life of midnight Invitation Ideas of sirens Like Dante in the library The deep bowls of winter in deep, down past sleep Songs of the evening air The pure in heart Disrepair Writing her big sleep The kitchen light The tax form Friday on the balcony White windows Negotiation on the tenth floor balcony Antipodean geography Cats quarrelling outside a window Reputation Interspersed The book of possibilities Screens, Jets, Heaven: New and Uncollected Poems Night falls over Ruby Street A lesson from idle reading The Elvis Costello poem The night of the marriage After an autumn funeral Whispers and courses Train in vain This business of love The plate glass gain In the deep sepulchre of dance A conjunction of bone photos April’s rescue A white beach Fireposts in strange territories The lane discovered Memory runs alongside Marrickville sonnet Sliding doors The balance of autumn The late century A taste for hunger Futurism at night Unknown The dead tides Rust Sulphur Along the dark silk smooth road In the key of night-winds The night before your return It’s a long journey anyway Screens, jets, heaven Notes View excerpt as PDF: Click here to view a sample (72 KB)
Excerpt from book:
Under the dust of living arrangements
Perhaps you thought you had forgotten this song rolling out of a stranger’s car radio but you rebuild memory, a microsecond before each note. It lies beneath a pile of other forgotten aides-memoire. All new living arrangements dictate some things must lie dormant, unreminisced until chance encounters strip the film away. You wonder what you could have been doing all this time at one surface or another struggling, drowning, coming up for air. Once there was an evening of dust web night, silent faltering, among bush homeland birds their last calls, your last drinks mist to midnight on the old verandah. You trying to keep distant from any magic but aware now of the bush spiders out there building a fragile stubbornness. You with eyes that grow into dark sense that old spirit stalking, calling beyond you to friends of the elements even the taste of dust. Tomorrow is always brooms and rags the last drink always distilled, second-hand magic. This house never so silent, though it still cries under the piles, pictures and scrawl of memory in the dusty corner of your new living arrangements.
Review quote: Jones’ work is so easy on the eye and senses, you wonder what tricks she has just slipped through your inattentive gaps, because you know she has disturbed you in the most devious sort of way. Her style is one of the waiting thunderstorm amidst the tight stasis of before-rain. Bev Braune Australian Women’s Book Review Review quote: One of those poets who is beginning to move Australian poetry into new directions – towards a greater trust than ever in the poet's own responses, a quietening of judgemental implications, and a desire to be able to articulate positive emotion, to find ways of exploring the rhapsodic. Martin Langford Southerly Review quote: One of the most exciting voices in contemporary Australian poetry … a rich layering of image and idea, an archaeology of fiercely intellectual, and poignantly vulnerable insight and juxtaposition. Rose Lucas Australian Women’s Book Review Review quote: Urban evocations both heartfelt and gritty. Alan Wearne The Age |
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