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Biographical note: Rod Mengham lives and works in Cambridge. He has written books on Henry Green, Emily Bronte, Charles Dickens and on language and cultural history; he has also edited books on violence and the artistic imagination and on modernist and contemporary fiction. He is the editor of the Equipage series of poetry pamphlets and co-editor and co-translator of the new anthology of contemporary Polish poetry, Altered State (Arc, 2003).
BIC Basic
EAN13: 9781876857127 ISBN-10: 1876857129 ISBN-13: 9781876857127 Author: Rod Mengham Title: Unsung Series: Salt Modern Poets Product class: BC Language: eng Audience: General/trade BIC subject category: CTCH1 Publisher: Salt Publishing Pub date: 01-Jan-01 Extent: 136pp Height: 216 mm Width: 140 mm Thickness: 8 mm Weight: 204 gms Supplier: Gardners Books Supplier: Ingram Book Group Supplier: Inbooks (James Bennett) Availability: IP Price: GBP 7.95 Price: USD 12.95 Rights: World
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description/annotation: “Sculpture is a part of the space around it.” This statement by Katarzyna Kobro reflects Mengham’s sense of how he wants the poetic text to relate to the languages that surround it. The poems in this book reflect his ongoing preoccupation with Eastern Europe, the visual arts, ideas of prehistory and the process of composition itself.
Main description: “Sculpture is a part of the space around it.” This statement by Katarzyna Kobro reflects Mengham’s sense of how he wants the poetic text to relate to the languages that surround it. He has a set of ongoing preoccupations which are catalyzed by pronounced occasions, private and public. Ideally each text would be both univocal and multivocal, expressive and typical; since Mengham relies on a lot on circumstance, there is a great deal of personal input into the poems, but this is not meant to contribute primarily to a representation of the self, more towards a presentation of work for the reader to do. What kind of work? Certain kinds of semantic and syntactical derangement which Mengham hopes has a signature without constituting mere routines. He tries to catch the material in a state that remembers what it was like just prior to organization. And then in the process of composition there is an attempt to control this prehistoric material with particular attention to overall movement, phrasing, consonance and figure (which is to say, idea-rhymes). The distance between starting out and finishing is most obvious in the prose poems where you can see the agenda, perhaps even a theme or set of themes, that the text essays, as well as the curve it enters as a rhythm and an acoustic repertoire and conceptual and visual variations take over. It is less obvious but actually more extreme in the other poems.
Table of contents: Local History From ‘12 Minutes in a Firing Squad’ From ‘Dear Balzac & all the little Balzacs’ A Luminous Band or Track Beds & Scrapings The Big Wind Polyalbum From Polyalbum (uncollected) Glossy Matter Poem Glow-Worms Year Zero Marsyas Stolen Fires Unsung Neutrinos Nomenclature Dogs on Sticks Down in the Mouth Kobro 31/12/92 No Resolve The Dog Star Take a Bite The Boeotarchs Shall Hear of This From an Alley The Snake on the Road by the Canning Bridge Wish-Bones This Is A Warning Letter Prolegomena to the Echo Names in the Bark Prepare to Meet Your Date To the Soviet Embalmers 7/8/97 Two Continents as a Medium for Poetry Smitten The Stoa Another Name for the Cassiterides Allegory of Good Government I Couldn’t Eat a Whole One Nostratic Lament Allegory of Bad Government Friend on the Rocks of the Shore of the Night Marriage to the Sea Concession to Perpetuity No. 166 View excerpt as PDF: Click here to view a sample (60 KB)
Excerpt from book:
Wish-Bones
Sing, muse, of the dentist on Indian Hill who fixed my teeth with no charge.
Come in, she said, my lips leave nothing to be desired but keep an uneasy peace.
Scrape the mould off your joints and sit down. Carthago delenda est.
Now when I think of my short-of-breath pandaemonium
I think of having a good rub down by the light of Italian stars.
On they come to where they vanish longitudinally.
Here where the owl hoots by the hammer ponds and the fox cries for something to operate on by moonlight. Let the cat out who can
it is time to reach for the sky
in pliable wash-leather gloves.
Review quote: There are oblique images of sexual encounter, which you want to read into a single scenario, as you want to read the fragments into the title. The tension is palpable. As is the precision, the careful wording of everything he does. Keith Jebb Poetry Review Review quote: An insanely scrupulous act of writing. John Wilkinson Review quote: A beautiful, belligerent laconicism. Drew Milne Review quote: The combination of such a resourceful literary intelligence and an ear for the physical workings of words is rare. Geoff Ward |