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Biographical note: Eleanor Rees was born in Birkenhead, Merseyside in 1978. Her pamphlet collection Feeding Fire received an Eric Gregory Award in 2002. She works in the community as a poet, running writing workshops for The Windows Project and also teaches in higher education. Eleanor is a member of the Word Hoard, Huddersfield and often collaborates with other writers, musicians and artists. She lives in Liverpool.
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EAN13: 9781844713042 ISBN-10: 1844713040 ISBN-13: 9781844713042 Author: Eleanor Rees Title: Andraste’s Hair Series: Salt Modern Poets Product class: BB Language: eng Audience: General/trade BIC subject category: CTCH1 Publisher: Salt Publishing Pub date: 01-Jun-06 Extent: 80pp Height: 216 mm Width: 140 mm Thickness: 5 mm Weight: 120 gms Supplier: Gardners Books Supplier: Ingram Book Group Supplier: Inbooks (James Bennett) Availability: NP Price: GBP 12.99 Price: USD 21.95 Rights: World
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Short
description/annotation: The poems in Andraste’s Hair draw on myth, memory, folksong and murder ballad. Often set in a mythical Liverpool, a city of metamorphosis and magic, grotesque and beautiful, its buildings are a backdrop for visions and apprehensions of the past. Liverpool at night is a place where boundaries are crossed in search of knowledge – sexual, historical, and emotional, between life and death.
Main description: Bridging the divide between experimental, performance and traditional poetries the poems in Andraste’s Hair draw on myth, memory, folksong and murder ballad. Often set in a mythical Liverpool, a city of metamorphosis and magic, grotesque and beautiful, its buildings are a backdrop for visions and apprehensions of the past. Liverpool at night is a place where boundaries are crossed in search of knowledge, sexual, historical, and emotional – between life and death.
Natural and urban landscapes – woodland, city park, dock, terraced street, the river, provide settings for an exploration of the conflict between instinctive and cultured knowledge, between abstract thought and felt experience. The poems are active and forceful – looking for answers they never find. Realities are established and than subverted. Women become trees, cities become men, roads become rivers, night becomes dawn, and the world is constantly transformed, constantly in flux. Collaborative processes inform the structure of many poems; fusion and the loss of self are preoccupying themes. The poetic voice is remade to articulate what has been discovered in the act of writing. Sometimes erotic, sometimes fierce, sometimes vulnerable the poems fuse a musical sense of language with a grounded vision of the world.
Table of contents:
Night Vision
Roadworks
A Red Moon
Night River
Seams of Dust
The Clock Tower
Headlights
Parkland
AndrasteÕs Hair
The Fair
Or snow
Mermaid
Working the Land
OlwynÕs Valley
July
Body
Castle Hill
Tell me something of this
Wolf
Sky God Thunder
August
Flood
Winter Dawn
Rain-naked
Each hare and vixen has its eyes darned green
On shore
A Nocturnal Opera
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Excerpt from book:
Night River
East to west, west to east, wetness crawls
the promenade wall. Oil and chemical, salt and tar:
the night is in my throat.
I consume distances at the edge of the river,
three am, solitary held only by the rain and the sky.
The wind’s touch is courageous.
The stars are stags, antlers pointed at each new shore
sailors discover far from here, in some sunny waters.
I open to it like a mouth
and sense her shining full height on the horizon,
as if the horizon is a ledge she balances upon,
and hovering I rush to her, her starriness, her electric pulses
that beckon, she widens:
I immerse myself in her thighs. Her whiteness, her size.
I am her: the sea is a boat. We ride until the dawn.
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