 |
Biographical
note: Don Share is Curator of the Poetry Room at Harvard University, where he teaches and is Poetry Editor of Harvard Review; he is also Editor in Chief, Literary Imagination: the Review of the Association of Literary Scholars and Critics. His book of poems, Union, was a finalist for the Boston Globe/PEN-New England Winship Award for outstanding book; his other books are Seneca in English (Penguin Classics); I Have Lots of Heart: Selected Poems of Miguel Hernández (Bloodaxe), which received a Times Literary Supplement/Society of AuthorsTranslation Prize; and a critical edition of Basil Bunting forthcoming from Faber and Faber. He is from Memphis.
BIC Basic
EAN13: 9781844712946 ISBN-10: 184471294X ISBN-13: 9781844712946 Author: Don Share Title: Squandermania Series: Salt Modern Poets Product class: BC Language: eng Audience: General/trade BIC subject category: CTCH1 Publisher: Salt Publishing Pub date: 01-Mar-07 Extent: 120pp Height: 216 mm Width: 140 mm Thickness: 7 mm Weight: 180 gms Supplier: Gardners Books Supplier: Ingram Book Group Supplier: Inbooks (James Bennett) Availability: NP Price: GBP 9.99 Price: USD 15.95 Rights: World
|
 | See larger image BUY DIRECT
  20% off at the UK Bookstore!
£9.99 £7.99 
 20% off at the US Bookstore!
$15.95 $12.76 
|  |
Short
description/annotation: Don Share’s latest collection, Squandermania, is a book of poems that are slightly death-haunted and studded with references to marriage and fatherhood, geology and biology. It also revives a luminous, if complex, domesticity – not something most men take as their subject. Its focus is the frenzied energy and unreal depression of living in a world at war with terror, and ultimately with itself.
Main description: Don Share’s latest collection, Squandermania, is a book of poems that are slightly death-haunted and studded with references to marriage and fatherhood, geology and biology. It also revives a luminous, if complex, domesticity – not something most men take as their subject. Its focus is the frenzied energy and unreal depression of living in a world at war with terror, and ultimately with itself. Here the paralysis of long-standing grief and fear combine with strange energy of trying to get by from day to day: “If these are the woods, / I'm not out of them yet.”
There are poems about the intimate household terrors of marital relations and questions raised by children about what happens in the world, and others woven from a tapestry of literary interactions with sources that range from Burton's Anatomy of Melancholy and Bacon's essay On Building to the “rotten kid theorem.”
Proverbs cease to reassure as the poet monitors news about global warning, war, and other self-inflicted disasters. What William James called the "trail of the human serpent" that runs over everything has at least (and perhaps finally) brought us to a world in which, as Share describes it, "anti-depressants make certain people violently depressed; / testing a safer system causes reactors to explode; / more freeways create more traffic; / the power grid dims, powerless; / [and] antibiotics make stronger germs."
These poems of conscience and imagination record the struggle to continue living in a "glitterbound microcosm" amidst the impulses of maniacal squandering and ceaseless destruction.
Table of contents: Marooned Meaning Landmarks Ruby Donny Doodle Furens The Mystery Letter The Seventy Interpreters Food for Thought I morti Rest The Counterfeiters "This building is alarmed" At Home Medea in Reverse Translated from the Potato Yiddish Ovum Father Cannot Yell Failure to Thrive Digression of Air Fiery Crash or Ferry Crash? Explicit The Sandpaper Ministry Buddy Holly Gold "An old image in arras hangings" Maddy's New Rhyme I Will Go Out for More Lustre Bottle in the Smoke Sweet Water, Best Bread Men Pretending to Sleep To Father Intelligent Design Squandermania, or Falling Asleep over Delmore Schwartz Honi soit Bookish Men A Drop in the Bucket Ontogeny Murder The Comedy of Clocks The Dead Language On Original Intent
Excerpt from book:
Maddy’s New Rhyme
Clock. And dark. Millennia of dark ink, not blood, illuminate the paper–thin walls of our kindred veins: it's the dead who keep us going, because they couldn't live without us. It's because of them that we have to keep going. So the sprawlings of hair on the sink ~ brown, hers; black, mine ~ curl into questions marks. What if the terrorists strike again? What if I don't live to see my daughter thrive, or she survive to escort me to my grave? Larger questions: Who will be free? Who will die? What is paradise? Too hard. As it is, Maddy looks out the window and asks, why are there wounds in the ground here … here … here … here? Eyes wide as watercolor daubs, she is my microcosm. Maddy and Daddy eat lunch in the kitchen, and she asks whether seeds are lonely; no, I say to myself, not so long as the rabbits and robins outsmart the elastic snow.
Previous review quote: Few poets manage such dexterous and fresh music. Alice Fulton Previous review quote: A fine poet … Derek Walcott Previous review quote: Share's poems belong to earth and to air, to conscience and to imagination Rosanna Warren Previous review quote: Like those earlier singers, Whitman and Dickey, Don Share discovers again the distinctly American narrative… I delight in the precision of these chiseled poems and in the sizeable, important ambition of Share’s imagination David Baker |
 |