Biographical note: Jane
Holland is an English poet, novelist, editor
and former professional snooker player, born
in Essex in 1966. She won an Eric Gregory Award
for her poetry in 1996. Her first collection,
The Brief History of a Disreputable Woman,
was published by Bloodaxe in 1997. A first
novel, Kissing the Pink, followed from Sceptre
in 1999. One of the top poetry performers in
the Midlands, she lives in Warwickshire with
her husband and five children.
BIC Basic
EAN13: 9781844712892 ISBN-10: 1844712893 ISBN-13: 9781844712892 Author: Jane
Holland Title: Boudicca & Co. Series: Salt
Modern Poets Product class: BC Language: eng Audience: General/trade BIC subject category: CTCH1 Publisher: Salt
Publishing Pub date: 15-Nov-06 Extent: 96pp Height: 216
mm Width: 140
mm Thickness: 6
mm Weight: 144
gms Supplier:Gardners
Books Supplier:Ingram
Book Group Supplier:Inbooks
(James Bennett) Availability: IP Price: GBP
9.99 Price: USD
15.95 Rights: World
Short
description/annotation: Sensual
and politically engaged, Boudicca & Co..
drives narrative poetry in new feminist directions.
It creates a cast of strong provocative female
characters with complex agendas, centred around
a controversial sequence of poems in the voice
of Boudicca. A collection with a powerful sense
of place and purpose.
Main description: Jane
Holland’s second collection, Boudicca & Co.,
is a provocative and vibrant exploration of
women and their roles in society. The perennial
themes of motherhood, love and sex jostle for
space here with elegies, poetry written for
performance, and Celtic-inspired mythological
pieces. Richly allusive, these poems create
networks between each other, tell stories,
make music and ask unexpected questions of
the reader.
A collection with a powerful sense of place, Boudicca & Co. is
located mainly within the British Isles, though
not always in the present day. Often retrospective
in mood, these poems deal with the poet’s
own difficult past and with historical Britain,
reinventing Celtic and Medieval stories and
myths in particular. Yet there is also a Britain
here that never existed, a landscape of the
imagination, where a restless questioning spirituality
tries to make sense of the gaps between expectation
and reality.
Sensual and politically engaged, Boudicca & Co. drives
narrative poetry in new feminist directions,
creating a host of female characters with strong
individual voices and complex agendas. The
title poem is a long ambitious sequence in
the voice of Boudicca, disenfranchised Queen
of the Iceni who leads the Ancient Britons
in rebellion against the Roman settlers. It
follows Boudicca’s transition from wife
and mother to warrior queen, prepared to kill
in the pursuit of freedom, blindly ruthless
in her desire for revenge. The sequence explores
the themes of national identity, personal betrayal
and civil war with dark anarchic humour and
an uncompromising starkness not for the faint-hearted.
Table of contents:
PART I
Oyster
In Response to a Nude Photograph of Mina Loy,
1905
Hot Days in the Eighties
It was cool inside the chapel
Elementals
Bird’s Nest
Love Song for a Gargoyle
Green Man
The Song of the Hare
Gawain’s Horse
Thanatos
Heaven, To Be Out There, Under
Dragon Woman
The Wife’s Lament
Year of the Nettle
In Praise of Cannabis
PART II
My Mother’s Ashes
Walks With My Father
A Pair of Boots
Whose Hands Were Made of Velvet
Gravity
Twins
Warwickshire
Fifth
Apples
Night Voyage
Skull of a Bird
Women’s Prayer Group, Coventry
Benediction
Desert Mother
Resurrection
PART III
Deciphering the Rejection Letter
Cyber Infidelity
Anal Obsessive
Books at Auction
Night Blue Fruit at the Tin Angel
IV BOUDICCA
Red Star
Not Exactly a Virgin
Boudicca’s Son
The Pleasures of Castration
Frozen
First Assault
Flashback
A Handful of Bones
The Whole of Britain
War Games
Bewildered Dead
Driving the Tribes
Headless Woman
War Paint
Ghost Light
Strong Hands
Purification
History
Last Stand
Doppelganger
Magpie
Suicide
Three days since the blood failed,
and the test turns blue,
a miniature sea between my hands,
nine months to the far horizon.
This must be a girl again, I'm sick
as a drunk all morning
and the world tilts when I walk
like a ship sliding in a bottle.
Twelve weeks and my waist begins
to thicken. I can't hold
anything down, and the boys
are too heavy to carry upstairs.
I meant to stop at two, then three,
then a fourth appeared.
Perhaps I could try hiding
under the covers, or not washing.
This stubborn foot wedged high
under my diaphragm is
more than a fish by thirty weeks:
it's a rich pearl pushing
against an opalescent shell, a poem,
a number, sonic reality;
refusing to be got rid of, cleaving
like a shadow, part of me.
Unpublished
endorsement :Boudicca & Co.
is a bold re-imagining of Britishness. Our
contemporary England of Sunday roasts and
cyberspace gives way to a wild and alien
landscape, a place that Holland lays glinting
before us “like a coin tossed in the
sun / blunt-edged, foreign.” Steeped
in myth and medieval poetry, this is a land
of “ruins under rain,” hares,
oaks, gargoyles and the Green Man. At the
heart of it, embodying both Britain’s
fierce beauty and its bloodied past, is Boudicca,
and her voice is a startling achievement:
modern, pitch-black, funny, and yet hauntingly
lyrical. Jane Holland’s second collection
is full of love and astonishment, a tribute
to the resilience of women, to the power
of literature, and, most of all, to: “England
// my beleaguered sunken island.”
Clare
Pollard
Unpublished
endorsement : From versions
of Anglo-Saxon to the unabashed lyric of
pastoral, by way of the dragon women and
velvet-palmed men of a new fairy-tale, Jane
Holland’s Boudicca & Co is
a book of adventurous, resonant inventions.
As the title suggests, it offers a new view
from the interior – of both country
and psyche – in which history and geography
are co-opted in effortless interplay. It’s
a work of synthesis, and of poetic and emotional
maturity, in which Holland emerges as a true
craftswoman, a supple and graceful thinker
with an effortless grasp of line, at the
heart of the English lyric tradition.
Fiona
Sampson
Unpublished
endorsement : “—the
grip/ of the wheel, a licence to roam.” Jane
Holland’s poetry smoulders and blazes.
Take your deepest breath, and go with her.
Alison
Brackenbury
Review
quote: In her unconventional
aspect, Boudicca is peculiarly modern, and
there are moments in the sequence, where
modern wars and conflicts appear to be invading
the ancient story. In ‘'Last Stand'',
the woods are ‘'thick / with sniper
fire'’ and Romans beat the men with ‘'rifle
butts''. By breaking with the historic period
of the tale, Holland comments on the repetition
of atrocities and war, as if Boudicca is
looking forward to the suffering and dehumanisation
of twentieth-century wars.
Zoë Brigley
English Studies
Previous
review quote: Jane Holland
discovered, more or less by chance, a passion
and a talent for snooker. She entered a man's
world where the battle to overcome bigoted
rules and attitudes was as great as the battle
to perfect her own skills in the field. She
has turned her formidable energies and skills
to poetry now with similarly turbulent and
successful results.
Maura
Dooley
Previous
review quote: Jane Holland's
route into poetry was the unusual one of
snooker, in which she was briefly a professional … Snooker
is actually a good metaphor for poetry: angling
off the cush is like setting up a rhyme scheme,
full rhymes give off a satisfying clack …