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Biographical note: Michele Leggott has published five books of poetry, including Milk & Honey (2005) and As far as I can see (1999). She is co-editor of Big Smoke: New Zealand Poems 1960–1975 (2000) with Alan Brunton and Murray Edmond, and editor of Robin Hyde’s long poem The Book of Nadath (1999) and Young Knowledge: The Poems of Robin Hyde (2003). Leggott is also the author of Reading Zukofsky’s 80 Flowers (1989) and completed a doctorate at the University of British Columbia, Vancouver, in 1985. A major project since 2001 has been the development of the New Zealand Electronic Poetry Centre (nzepc) at the University of Auckland where she is an Associate Professor of English.
BIC Basic
EAN13: 9781844712656 ISBN-10: 1844712656 ISBN-13: 9781844712656 Author: Michele Leggott Title: Milk & Honey Series: Salt Modern Poets Product class: BC Language: eng Audience: General/trade BIC subject category: CTCH1 Publisher: Salt Publishing Pub date: 01-Sep-06 Extent: 128pp Height: 216 mm Width: 140 mm Thickness: 8 mm Weight: 192 gms Supplier: Gardners Books Supplier: Ingram Book Group Supplier: Inbooks (James Bennett) Availability: IP Price: GBP 9.99 Price: USD 15.95 Rights: Rest of world Not for sale: AU Not for sale: NZ
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Short
description/annotation: Milk and Honey is a dance to the music of that future time. It looks back and remembers. It looks forward and tries to see what will happen next. Its theatre is the world turning round and what can be saved each day from a life of the imagination. It builds tentative structures from smaller parts that come and go like thought itself. It is a lamentation, the universe as circus. It is a pattern of doors opening. It counts and it listens.
Main description: There is a poem in As far as I can see (AUP, 1999) that imagines a future time: They gave me flowers and asked where I would go. To open the eyes of the soul, I said. There is a way but this is only the first gate.
milk and honey is a dance to the music of that future time. It looks back and remembers. It looks forward and tries to see what will happen next. Its theatre is the world turning round and what can be saved each day from a life of the imagination. It builds tentative structures from smaller parts that come and go like thought itself. It is a lamentation, the universe as circus. It is a pattern of doors opening. It counts and it listens.
It is a series of border-crossings between light and dark, old world and new, history and desire, body and soul, life and death, yes and no. It is an attempt on happiness, another search for the oh of transformation.
It is in three parts with a gateway at either end. It can be read from the front or the back and there is seriousness but also songs along the way. Why is it called milk and honey? Because of a song. Why are there two clowns on the cover? Because one morning they were front-page news
Table of contents: wilderness 1 TO OPEN THE EYES so far faith and rage tonight I am sad milk of almonds / white magnolia cairo vessel 1 cairo vessel 2 2 MILK AND HONEY milk and honey taken far far away words beyond light certain pockets of resistance angels and oracles festival junction 3 FADO poetics of exile cirque velo Eurydice's red car her songs a lost eclogue manna beans ports of the archipelago salto, salto, where are your shoes? I dreamed your book was written and the great So praised it future song wild light View excerpt as PDF: Click here to view a sample (508 KB)
Excerpt from book:
Review quote: Impresario of the NZ Electronic Poetry Center and author of Reading Zukofsky’s 80 Flowers, professor at the University of Auckland, Michele Leggott continues to write complex lyrics, sampling thought and song, voice and vision. Charles Bernstein Notable Books (Summer 2005): Review quote: Milk & Honey shows us that the ordinary is full of marvels … which, stitched, flow together into sequences and episodes that in turn form an ongoing serial, or bricolage: a single poem, then, rejecting exactness, literalism, naturalism in favour of resonance, currents, patterns of ebb and flow … Leggott is arguably our finest living female rhapsodist. David Eggleton NZ Listener |