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Peter Rose

Rattus Rattus


New and Selected Poems
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Biographical note:  Peter Rose grew up in rural Victoria. After studying at Monash University and working as a bookseller, he moved to Oxford University Press and was a publisher there throughout the 1990s. He is currently the Editor of Australian Book Review. His first collection of poetry, The House of Vitriol, appeared in 1990, and was followed by The Catullan Rag (1993) and Donatello in Wangaratta (1998). His poetry and criticism have appeared in various anthologies. In 2001 he published a memoir, Rose Boys, which won several prizes, including the National Biography Award. His first novel will appear in 2005.

 

BIC Basic

EAN13:  9781844710690
ISBN-10:  1844710696
ISBN-13:  9781844710690
Author:  Peter Rose
Title:  Rattus Rattus
Series:  Salt Modern Poets
Product class:  BC
Language:  eng
Audience:  General/trade
BIC subject category:  CTCH1
Publisher:  Salt Publishing
Pub date:  01-Mar-05
Extent:  188pp
Height:  216 mm
Width:  140 mm
Thickness:  11 mm
Weight:  282 gms
Supplier:   Gardners Books
Supplier:   Ingram Book Group
Supplier:   Inbooks (James Bennett)
Availability:  IP
Price:  GBP 10.99
Price:  USD 16.95
Rights:  World

 

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spacer Short description/annotation:  Rattus Rattus combines Peter Rose’s latest poetry with almost 100 poems from his first three collections, which have made him one of the most individual voices in Australian poetry. Rose’s poetry, always intimate and challenging, ranges from personal subjects and private epiphanies to the satirical and the mordant. Readers of this long-awaited Selected Poems will particularly enjoy his continuing series of Catullan satires.

 

Main description:  When Peter Rose published his first book of poems, The House of Vitriol, in 1990 Peter Porter welcomed it thus: ‘Nothing I have read in contemporary poetry in Britain, the States and Australia quite prepared me for the impact of Peter Rose’s book … Rose is out to stir the settled waters of poetry.’ That collection went on to become one of the most celebrated first books of the 1990s published in Australia. Since then, Rose’s poetry (sardonic, cosmopolitan and witness to the sadness of things) has continued to range across a variety of personal and satirical subjects. His voice, in the new poems that open Rattus Rattus, evinces a new opennness and intimacy, while still encapsulating in individual and arresting forms the tenuousness of things, the fragility of bonds, and metaphysical estrangement. Elsewhere, in the best-selling memoir Rose Boys, Peter Rose has written about family and the difficulties that afflicted one celebrated Australian family, so it will be fascinating for readers unfamiliar with his poetry to encounter the memoirist in a different guise. To ‘I Recognize My Brother in a Dream’ (an early poem that informed Rose Boys) he adds a new long poem about his late brother and father, ‘Ladybird’. Rose also goes on adding to an early series of satirical poems in the Catullan style, titled ‘The Catullan Rag’. In this new book we can enjoy almost twenty of these satires of contemporary literary society, of which Geoff Page remarked, ‘It is as if Catullus had somehow resurfaced from Caesar’s Rome with all his powers intect’. No one with a serious interest in modern Australian poetry will want to miss this sophisticated, elegiac and witty Selected Poems.

 

Table of contents:
Acknowledgments
NEW POEMS
Late Edition
Morning Bias
Rope
Escalator
Ladybird
Quotidian
Homage
Last Words
The Governors of the Feast
Rattus Rattus
The Calling of St Matthew
Hospital of the Innocents
The Prize
U-Bahn
Afternoon at the Huntington
Keith Jarrett: The Second Concert
Caveat
Sentence
Bespoke Night
Graffiti
Exorbitant Confession
Bridal
To Adelaide
Sheep at Dookie
Murray Drift
Balnarring Beach
Mildura, 2003
Posthumous Jazz
The Glittering Prize
Ivan Ilyich
Dirigible
Anthem for Jurors
THE HOUSE OF VITRIOL (1990)
The Wound
Alsatian Traveller
Mortification
Prime Minister’s Grandson
Pathology
Terminus
Memorabilia
I Recognize My Brother in a Dream
Operamanes
The Wall
True Confessions
Imagining the Inappropriate
Morning at Kiama
The Wind Debates Asian Immigration
The Siamese Twin Condition
The Classicist's Birthday Tribute
Fascicles for Emily
The House of Vitriol
THE CATULLUN RAG (1993)
Aviator
Parsifal
Cactus
Noritake
The Living Archive
Polyphony
Podvig
Carpenter’s Cup
Googly
Vantage
Compact Disc
Metro
Dog Days
The Only Farewell
Confetti
The Best of Fleetwood Mac
A Succession of Suns
Ornithology
Bait
Wart
‘The Catullan Rag’
Kitchen
Scarf
Sunday Profile
Gloves
Renascence
Wunderkind
Litigant
Archive
Truffles
Glass
Terracotta
Who’s Who
Tally
Cut
Customs
Colophon
Cinematheque
DONATELLO IN WANGARATTA (1998)
Greening
Shaft
Steam
White Telephone
Cut-throat
Donatello in Wangaratta
Fog over Corsano
James Merrill
The Shining Fleet
Homonym
Hitler Weather
Arguments of Rain
Aubade
Roman Blinds
Self-portrait in Non Sequiturs
Leaving Prague
The Hotel Misericordia
Magnolia
Shuttle
Indian Giver
Sitting Ducks
Amphitheatre
Quartet
Mitternacht
In Your Story
George and Martha
Twenty Fingers
Notes
Index of First Lines
Index of Titles

 

View excerpt as PDF:

PDF Click here to view a sample (112 KB)

 

Excerpt from book:  

Rattus Rattus

Even at midnight
the pontiff’s window is open,
framing the next blessing or admonition.

Combing the colonnade
late tourists shop for symbols.

In the square
a thousand chairs
pray to a vacant altar.

Chesty bells convulse a dozen times.
‘Electric’, you mutter.

Amputees put away
their disabilities and dream.

Handsome carabinieri
erect barriers to Bernini’s scheme.

Beside each column
a metal detector
radiates our nothingness.

Following the Tiber home,
footsore and fascinated,
we watch a stupendous rat,
bigger than a monstrance,
mapping the slimy historic bank.

 

Review quote:  Nothing I have read in contemporary poetry in Britain, the States and Australia quite prepared me for the impact of Peter Rose’s book The House of Vitriol. To be infinitely knowing, yet engagingly vulnerable, to exceed so happily that succeeding becomes of secondary consideration, and to entertain so hugely — Rose is a real shock to the system.

Peter Porter

 

Review quote:  These are utterly beguiling poems of elegiac lyricism, in which Cavafy wanders among the crepuscular barbecues with Catullus and Leopardi.

Chris Wallace-Crabbe

 

Review quote:  Peter Rose repeatedly proves the possibility of elegance within free verse. His technique lends his poems the kind of suppleness — a posture of ease — that we find in poets like John Ashbery and Frank O’Hara.

Brian Henry

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