Biographical note: Frances Presley was born in Derbyshire, and grew up in Lincolnshire and Somerset. She lives in a housing cooperative in north London, and the local fashion trade was the subject of her collaboration with the artist Irma Irsara, Automatic cross stitch (Other Press, 2000). She has also collaborated with the poet Elizabeth James in an email text and performance (Neither the One nor the Other, Form Books, 1999). She has written about her poetic practice and that of other British women poets, and is on the editorial board of How2. Her most recent sequence, Paravane, began with How2 communications post 9/11. This book brings together much of her new and published work since Linocut (Oasis, 1997).
BIC Basic
EAN13: 9781844710423 ISBN-10: 1844710424 ISBN-13: 9781844710423 Author: Frances Presley Title: Paravane Series: Salt Modern Poets Product class: BC Language: eng Audience: General/trade BIC subject category: CTCH1 Publisher: Salt Publishing Pub date: 01-Mar-04 Extent: 140pp Height: 216 mm Width: 140 mm Thickness: 8 mm Weight: 210 gms Supplier:Gardners Books Supplier:Ingram Book Group Supplier:Inbooks (James Bennett) Availability: IP Price: GBP 10.99 Price: USD 16.95 Rights: World
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description/annotation: This book contains a long, new sequence of poems and prose by Frances Presley, as well as a selection of her work since 1996. It provides an important opportunity to see her recent work as a whole, and to appreciate how different sequences interrelate and develop, both in form and theme.
Main description: This book contains a long, new sequence of poems and prose by Frances Presley, as well as a selection of her work since 1996. It provides an important opportunity to see her recent work as a whole, and to appreciate how different sequences interrelate and develop, both in form and theme. Paravane includes ‘Private writing: Vermont journal 1996’, originally published with drawings by Peterjon Skelt, and the important email collaboration with Elizabeth James: ‘Neither the One nor the Other’. There are also extracts from ‘automatic cross stitch’, an innovative collaboration with the artist Irma Irsara focused on dress and fashion; and from the recently published ‘Somerset letters’, which uses experimental prose to explore layers of landscape, language and love. There are two new sections of previously uncollected work. The first ‘Uncollect’ brings together some shorter new poems, including two responses to the work of the installation artist Jane Prophet. Paravane is also the title of a major new sequence, which is a response to the tragedy of 9/11 in New York through various experiments in sound and image. Paravane centres on a walk around the City of London where IRA bombs were detonated, exploring and constructing sites of resistance and dissent. There is a renarration of the legend of Saint Barbara, patron of architects, and other female saints are evoked and reinvented. The unfolding ‘war on terrorism’ and New Labour modernization are spun through and out of the sequence. Sites of resistance are also found outside the city, especially on the high fells in the far north of England. The sequence ends provisionally in Mother Julian’s cell in Norwich, where the walls are porous and a new flame ignites a plastic language.
notation spot lights flash across and over coming to light under your fingers
a slight undulation at the western most edge one in ten seeing light in rain waves
coral cantor in a minor key love, mum
Unpublished endorsement: Frances Presley is a splendid and authentic poet whose work shines with exact edge and luminous presence of what she notices and chooses to translate into language.
Kathleen Fraser
Unpublished endorsement: Frances Presley’s writing engages with serious political concerns underscored with deeply personal experience. The world ‘out there’ of unrest, injustice and conflict is not something to be compartmentalised but co-exists with the domestic on equal terms. A summer flower or childhood memory in Somerset blossoms next to the exploding horrors of semtex. She is not a poet to shy away from life but pushes language into its face until it yelps.