John Wilkinson Proud Flesh Introduction by Drew Milne
Biographical note: John Wilkinson was born in London in 1953 and grew up in Cornwall and Devon. After a career in mental health work in Birmingham, Swansea and East London, in 2005 he joined the Keough Institute for Irish Studies, University of Notre Dame, as Poet in Residence, and teaches in the Department of English. With his wife, the literary critic Maud Ellmann, he lives between Mishawaka, IN and Cambridge, England.
Biographical note: Drew Milne is the Judith E Wilson Lecturer in Drama and Poetry, Faculty of English, University of Cambridge. His books include The Damage (Salt) and Go Figure. http://drewmilne.tripod.com
BIC Basic
EAN13: 9781844710652 ISBN-10: 1844710653 ISBN-13: 9781844710652 Author: John Wilkinson Title: Proud Flesh Series: Salt Modern Classics Product class: BC Language: eng Audience: General/trade BIC subject category: CTCH1 Publisher: Salt Publishing Pub date: 01-Sep-05 Extent: 104pp Height: 216 mm Width: 140 mm Thickness: 6 mm Weight: 156 gms Supplier:Gardners Books Supplier:Ingram Book Group Supplier:Inbooks (James Bennett) Availability: IP Price: GBP 8.99 Price: USD 14.95 Rights: World
Short
description/annotation: Wilkinson’s searing classic, Proud Flesh, is a blistering journal of love’s intensities and convulsions. Panning across its characters like a camera, this is lyric poetry as film noire, filled with jealousy, violence and sexual obsession. Incandescent images and language play across the bodies of the lovers, each caught, frame by frame, in an intense act of surveillance.
Main description: Wilkinson’s searing classic, Proud Flesh, is a blistering journal of love’s intensities and convulsions. Panning across its characters like a camera, this is lyric poetry as film noire, filled with jealousy, violence and sexual obsession. Incandescent images and language play across the bodies of the lovers, each caught, frame by frame, in an intense act of surveillance.
Unpublished endorsement :Proud Flesh introduced us to the unexpected fluencies, the strange dramas and practicalities of John Wilkinson’s poetry. Reminding us that poetry also needs to be pitted against conventional forms of intelligibility – the finding of a ‘voice’, the satisfactions of narrative – Wilkinson was already writing a haunting, unheard of lyric poetry against the grain of the taught traditions. A startling and eerily accomplished book, Proud Flesh has become a great contemporary text.