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Biographical note: EDUARDO CHIRINOS (Lima, Peru, 1960), an internationally acclaimed voice in Latin American letters, is the author of sixteen books of poetry as well as volumes of academic criticism, numerous essays, translations, and children’s books. His most recent poetry title, While the Wolf Is Around won the Generation of ’27 International Poetry Prize, Spain, 2010. He is an Associate Professor of Spanish at the University of Montana.
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EAN13: 9781844715213 ISBN: 9781844715213 Author: Eduardo Chirinos Title: Reasons for Writing Poetry Series: Earthworks Product class: BC Language: eng Audience: General/trade BIC subject category: DCF Publisher: Salt Publishing Pub date: 01-Feb-11 Extent: 184pp Height: 216 mm Width: 140 mm Thickness: 6 mm Weight: 276 gms Supplier: Gardners Books Supplier: Ingram Book Group Supplier: Inbooks (James Bennett) Availability: NP Price: GBP 9.99 Price: USD 15.95 Rights: World
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description/annotation: Reasons for Writing Poetry is the first collection of verse to appear in English from the internationally acclaimed Peruvian poet Eduardo Chirinos. The poems, carefully chosen for this edition by the author and translator, reveal with simple eloquence how poetry may be written in today’s world.
Main description: Reasons for Writing Poetry is the first collection of verse to appear in English from the internationally acclaimed Peruvian poet Eduardo Chirinos (Lima, 1960). This selection of works, spanning nearly thirty years of poetic output, was carefully chosen for this edition by the author in collaboration with his long-time translator. Chirinos is well known in his native country and the author of sixteen books of poetry in addition to volumes of academic criticism, essays, translations, and children’s books. A member of Peru’s 80’s Generation, his work has been widely anthologized throughout the Spanish-speaking world. Several of Chirinos’s poems have appeared in literary journals in English translation.
The present volume charts the growth of a poet whose fondness for masks is manifest in the frequently dialogic, even polyvocal discourse of his work. Chirinos’s poetry is marked by a wry tone and simple lyric eloquence. Accessible, ironic, and always entertaining, the poems in Reasons for Writing Poetry treat time and again Chirinos’s favourite subjects and themes: the return to childhood, the vagaries of memory, the alternative reality of dream, a fascination with animals, the utility of seeing and hearing, the writer’s place in poetic tradition, and the never-ending search for originality through innovative expression.
Table of contents: “No, the Sphinx Doesn’t Want an Answer”: The Poetics of Eduardo Chirinos from The Notebooks of Horacio Morell Beatus Ille (Natural History) A Poem for Groucho, the One with the Moustache The Giraffe and Bus Derby from Chronicles of a Man of Leisure The Dead Rocks Free Version of the Stanzas the Young Ali-Nur Recited Before Kutait the Gaoler… from Fingerprint File Food for Fire A Hot Wind Blows Over Desert Dunes Like the Ice of a Dark Passion (Nebuchadnezzar’s Dream) from The Book of Encounters Childhood Revisited (Corrales, Tumbes 1965) The Best of the Poets of Rome from Rituals of Knowledge and Dream Cassandra’s Monologue Tiresias Speaks Sermon on Death from Songs of the Ark’s Blacksmith Songs of the Ark’s Blacksmith Films Sea Stories Russian Legends Three Domestic Poems Winter Lamps Christmas in Bavaria, 1986 The Dream Is Over Lima Revisited from Remember, Body… The Conch and the Rose Love and the Sea The Fable of Ophelia and Segismund Pirate of Memory from The Bayard Street Tightrope Walker The Bayard Street Tightrope Walker Raritan Blues The Raccoons in Johnson Park Ithaca River Rabbits Paterson Autumn’s Defeat Dream of Sirens The Rain How Poems Die Central Park from The Water’s ABC’s Rats & Mice Scrawling Crows The Carousel in Recreation Park The Sound of the Susquehanna Just an Average Dog Reasons for Writing Poetry The Millennium Is Coming to an End Monologue of Poet and Muse from A Brief History of Music Dance of the Wind (Anonymous. Berbérie, c. 1300) Brandenburgische Konzert N° 2 Winter (The Four Seasons) Für Elise Grande Valse Brillante Night on Bald Mountain Russian Easter Festival Overture Le Carnaval des Animaux Gnossiennes Daughters of the Lonesome Isle from Written in Missoula Poet’s House Buffalo The St. Ignatius Indian Mission (Montana, 1854) The Color of Nightfall Mortally Wounded Okapi Bears The Cat and the Moon To Reach Missoula from The Faker An Afternoon in the Prado Museum The Cemetery from No Nightingales on My Finger Seven-Line Poem Blank Sheets With My Shadowy Mouth Not Even Hands Dry Leaves, Snow La Solitudine Horacio Morell No Nightingales on My Finger from The Smoke of Distant Fires A Theory of Sight After a Poem by Seferis The Book of My Life or My Conversations with Saint Teresa of Ávila Putting My Library in Order Before Bedtime Letters that Arrive without Fanfare Notes
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Excerpt from book:
The Giraffe and Bus Derby
So we spend all our time circling a shoe-print, galloping along on a giraffe’s back, crashing into our own circumstances and brandishing swords that might be radio antennae or second-hand golf clubs. Sometimes we sleep long owl nights atop rocks that butt into the game, opening the doors of our Swiss chalet to piss in the lake and feed the giraffe as a reward for its benevolence. Other times we prefer to retire without sleeping and peruse some atlas, animal volume or book of poems, looking a great deal like the clown in the Easter parade. To break from routine you stand on your head and look up the hardest word in the dictionary, sticking your legs out the tallest building’s top-floor window and shouting it out (all the while securing the saddle on your giraffe in case people finally understand you and you have to fly off to strange lands where you’re not known). If you are prevented from doing this, you simply draw your face in the middle of the road and make the cars swerve by brandishing a toy pistol. But should you emerge victorious this way you will continue circling the shoe-print or will have to set off on a trip.
So it is that the saddest thing in the world is having no name to scribble on the back seat of the bus you’re traveling on.
Unpublished endorsement: One of the most outstanding Latin American poets of the last thirty years. José Miguel Oviedo, author of Historia de la literatura hispanoamericana Unpublished endorsement: …contemporary, minimalist, and seductively expressive… Eduardo Milán and Ernesto Lumbreras, editors of Prístina y última piedra: Antología de la poesía hispanoamericana presente |
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