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Biographical note: Qwo-Li Driskill is a Cherokee Two-Spirit/Queer writer and activist also of African, Irish, Lenape, Lumbee, and Osage ascent. Hir work has been included in Shenandoah, Many Mountains Moving, and in the anthologies Revolutionary Voices: A Multicultural Queer Youth Anthology and Speak to Me Words: Essays on Contemporary American Indian Poetry. S/he is currently living in Three Fires (Ojibwe, Odawa, Potawatomi) and Huron territories while pursuing a PhD in Rhetoric and Writing at Michigan State University.
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EAN13: 9781844711130 ISBN-10: 1844711137 ISBN-13: 9781844711130 Author: Qwo-Li Driskill Title: Walking with Ghosts Series: Earthworks Product class: BC Language: eng Audience: General/trade BIC subject category: CTCH1 Publisher: Salt Publishing Pub date: 15-May-05 Extent: 108pp Height: 216 mm Width: 140 mm Thickness: 7 mm Weight: 162 gms Supplier: Gardners Books Supplier: Ingram Book Group Supplier: Inbooks (James Bennett) Availability: IP Price: GBP 8.99 Price: USD 14.95 Rights: World
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description/annotation: Written from a contemporary Cherokee, Queer and mixed-race experience, these poems confront a legacy of land-theft, genocide, and forced removal, and resist ongoing attacks on both Indigenous and Gay/ Lesbian/ Bisexual /Transgender communities. Tender, startling, confrontational and erotic, this book honors the dead and brings the survivors back home.
Main description: Written from a contemporary Cherokee, Queer, and mixed-race experience, Walking with Ghosts: Poems confronts the legacy of land-theft, genocide, and forced removal of Cherokees from their homelands while simultaneously resisting ongoing attacks on both Indigenous and Gay/ Lesbian/ Bisexual /Transgender (GLBT) communities. The debut work of Qwo-Li Driskill, a young Cherokee poet also of African, Irish, Lenape, Lumbee, and Osage ancestries, these poems move across Cherokee history. From the infamous Trail of Tears and the Allotment Act to the Indian boarding school system and contemporary manifestations of racism, these poems reach into Cherokee collective memory asking its readers to not only remember the history of colonization, but also the survival and continuance of Indigenous Nations. With this collection Driskill, who identifies as Queer as well as Two-Spirit (a contemporary term used in North American Indigenous communities to describe diverse sexual and gender identities) becomes one of only a few of American Indian Queer/Two-Spirit male writers in print. Refusing to compromise identities, Driskill also grapples with the impact of hate crimes on GLBT communities, multiracial and multi-tribal identity, the AIDS crisis, psychic trauma, and war. Yet the poems in this collection are rooted in a sense of love and the power of words to heal the legacies of colonization and other forms of violence. Cherokee love poems weave into eulogies to the dead while ghosts draw the living into a place of wholeness. Tender, startling, confrontational and erotic, this book honors the dead and brings the survivors back home.
Table of contents: Tal’-s-go Gal’-quo-gi Di-del’-qua-s-do-di Tsa-la-gi Di-go-whe-li/ Beginning Cherokee Map of the Americas Going Home For Arabs and Indians and Others who Love Cedars Ghost Dances Love Poems for Billy Jack Summer Haiku To Your Rude Question, What’s Your Pedigree? A Response High Yella Sonnet Wild Indians What You Must Do For Marsha P. (Pay It No Mind!) Johnson In Our Oldest Language Letter to Tsi-ge’-yu For Matthew The Leading Causes of Death Among American Indians Snapshot Eulogy for the 40th Grandmother Spider’s Lesson for an Urban Indian Queer Gay Nigger Number One Lullaby What You Gave Me Allotment T’ang On Hearing Another Friend Was Raped Love Poems: 1838–1839 Evening With Andrew Jackson Mutiny Song of Removal Back to the Blanket Story Night Terrors Two Approaches to Memory I Want to Bite Words Book of Memory Miracle, For Colin At the Queer Conference Dinner Blessing A Long Story Made Short Legacy Chantway for FC View excerpt as PDF:
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Excerpt from book:
At the Queer Conference Dinner
I looked into your dark eyes with shock when you asked me if I could do a traditional Indian dance to entertain these mostly white faces All these white faces except yours and a few others I could count on one hand and I spit out the word NO like a rock hoping its sound falling to the floor would wake you up from all these lies they’ve fed us It didn’t I left the room to stand in the parking lot and smoke
Brother How angry I was for being angry with you Your young Azteca body shrouded in the expensive business clothes white men wear when they write out contracts to sell our grandmothers’ hearts I know you are pleading only to stay alive and
One day I will dance for you It will be my prayer that you come home
Unpublished endorsement : Qwo-Li Driskill’s poetry, part lament and part manifesto, is haunted by ghost dancers. It is a record of those we’ve lost to the irrational hatred and fear of racism and homophobia. The voice within these poems chants, croons, sasses, and sings, for this is poetry meant to be spoken into being. In the tradition of other queer, socially-conscious poets, like Chrystos, Pat Parker, and Audre Lorde, the question of whether justice exists for all – especially for the poorest and most despised among us – burns at the center of this fine first collection. Janice Gould Unpublished endorsement : My favorite lines in the collection mark the occasion of Ronald Reagan’s death: ‘Say it: we’re not sad to see him go. No one I know shed a single/tear for his passing.’ This is a reminder that not all of us are willing to go gentle into that good night as America wages its fight to the finish against our world. Now, more than ever, as the White House manufactures some of the news we watch on TV, we need poems, these and others, that contest the official story. Craig S. Womack |
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