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Biographical note: Heid E. Erdrich, author of Fishing for Myth poems from New Rivers Press and co-editor of Sister Nations anthology from the Minnesota Historical Society Press, has won awards from The Loft Literary Center, Minnesota State Arts Board, Wordcraft Circle of Native Writers, and the Archibald Bush Foundation. She founded Birchbark Books Press with her sister, author Louise Erdrich. Her degrees are from Dartmouth College and Johns Hopkins University. A member of the Turtle Mountain Band of Ojibway, she was raised in Wahpeton, North Dakota where her parents taught at the Bureau of Indian Affairs boarding school. She teaches at The University of St. Thomas.
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EAN13: 9781844710607 ISBN-10: 1844710602 ISBN-13: 9781844710607 Author: Heid E. Erdrich Title: The Mother’s Tongue Series: Earthworks Product class: BC Language: eng Audience: General/trade BIC subject category: CTCH1 Publisher: Salt Publishing Pub date: 01-Apr-05 Extent: 120pp Height: 216 mm Width: 140 mm Thickness: 7 mm Weight: 180 gms Supplier: Gardners Books Supplier: Ingram Book Group Supplier: Inbooks (James Bennett) Availability: IP Price: GBP 8.99 Price: USD 14.95 Rights: World
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Short
description/annotation: SHORTLISTED FOR THE MINNESOTA BOOK AWARDS 2006. Poems that consider and figure women’s experiences of work, sex, pregnancy, childbirth, and mothering within the particular contexts of the prairie landscape, American Indian cultures and Ojibwe language recovery.
Main description: SHORTLISTED FOR THE MINNESOTA BOOK AWARDS 2006. Poems in The Mother’s Tongue move in images of the living world that include plants and creatures both native and non-native to American landscapes. These poems move via persona and personal lyric through expressions of ambivalence about choosing the life of the body — of womanhood and motherhood — through the strange realm of pregnancy into the netherworld of the post-partum period and out into the world again, into the enlarged world, the world at war, the world of work and words. Finally these poems move to enter the world of women as transformed within the love of language — of recovered Ojibwe language and English renewed as first language in the mouths of infants. These are poems that urge women to discover the power of their own tongues as they teach speech — the sweet, salty, sour and bitter desires — the taste on the mother’s tongue.
Table of contents: Offering: Words 1 Honey Sweet Craving Honey The Way To She Dances The Hive Improvisation Weeds in Grief Intimate Detail The Way To Have No Child Stung The Way To Be Convinced This Body, The River Neon Lovers, Another Painting For Her Sake The Red Toad Oyster Mother Amazon Huntress Gives Birth to Twins With Honey from the Rock Would I Satisfy You Woman’s Work Pica The Deep 2 Salt Lick Craving, First Month Offering: The Child When I Go Down to Pray Kookum First Rice Idol Construction The Girl in Geography Class Advice The Bee Kept Wife Cat Woman Parade of Old Loves What Pregnant is Like Young Poets with Roman Noses Wedding Blessing Nesting Dolls Craving, Seventh Month Another Touch 3 Milk Sour Offering: The Breasts Craving Release Sisters Stay On the Other Side Image After Image After Birth Postpartum I Postpartum II Postpartum III Postpartum IV Postpartum V New Born Look Breasts Twelve Items or Less, 1999 Popular Parenting 4 Bitter Root Offering: Ojibwe Craving: Bitter Root Twin Bugs Vermillion Hands Petroglyph Our Words Are Not Our Own Poem for Our Ojibwe Names They All Dream the Lake, Again In the Belly Mother of Sorrows Summer of Infanticides Last Snow Changeling Elemental Conception Maternal Desire 1 a.m. Turtle Pool Remedy Wiisah kote: The Burnt Wood People Mindimoyeg: Dandelions Old Man’s Tale Basswood Husbandry The Good Woman The Only Child Motherhood as First Language View excerpt as PDF:
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Excerpt from book:
Parade of Old Loves
Every night a different one returns: his hair loopy curls or shorn to velvet or in lanks or shiny bald, he comes to me real as ever. And I am utterly convinced each one is the one who put this baby in me. I take it as a retrospective show: How things might have been — This one's flat black eyes on me again and me the same woman I was once — as cold as he was hard. I'm only waiting now to dream the one I was all earth and warm for, the one I lost with my belief. I'll take this as my chance to retrieve each part of me I loaned. Come on guys, sure I'll say the baby's yours, I'll make it bouncy, shining, golden just for you — if only you bring it back, bring it all back, so when I give this time, my gift is whole.
Unpublished endorsement : Funny sexy, rowdy, and surprising, these poems pretty much cover the entire human existence, but I especially like the poems about the Honey-bun delivery vans, post-partum blues, and justified hatred of wind-up toy makers. How can you not love a hate poem about wind-up toy makers? What kind of crazy person writes a hate poem about wind-up toy makers? Heid is exactly that kind of poet. She is original. Buy this book now. Sherman Alexie Unpublished endorsement : With The Mother's Tongue Heid Erdrich has come into her creative power. The poems are a powerful treatise on the transformative state of mothering. These lines at the heart of the collection will haunt anyone who has held a son in her arms in rough political times:
“I have fed my son on sorrow,/I have made him food for war.” Joy Harjo Unpublished endorsement : Heid’s poetry is a perfect fusion of music and painting, power and subtlety, emotion and intelligence. She takes us to a new world. Wang Ping |
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